July 14, 2017

The Unsung heroes of cinema part 17. Zeljko Ivanek

Željko Ivanek




This guy. Another one of those faces that turns up in everything. And a very recognisable face, always looking gaunt and drawn. Always an authority figure, be it a cop, a district attorney, an army superior, a teacher or a politician. And nearly always a prick. And a great prick he is. With a name that's as memorable as it is hard to pronounce.

He's been decked by angry Irish hitmen for complaining about smoking. He's hovered over Somali cities barking directions at the soldiers below. Taken on Jack Bauer. Shouted at Donnie Brasco. Been a muse of Lars Von Trier. The man who got Bjork the death sentence. Taken part in big budget actioners like the Bourne and X-men movies, Oscar winning movies and zero budget direct to video trash. He's been gracing our screen for 35 years now and he's got a hell of a resume




Greatest hits

In Bruges. The "Yankee cunt" who gets punched in revenge for John Lennon. Even though he's Canadian.

School Ties. The strict french teacher who ruins the lives of young men aiming for Ivy League educations

Oz. Governor James Devlin. A politician so scummy he might as well be in a Christmas pantomime. Gets shot by a Travis Bickle wannabe. And so deserves it.

True Blood. The Magister. A 546 year old Vampire and complete bollix. The man in charge of vampire law and a complete bastard. Gets a great death.

Previous parts

1   2   3   4   5   6   7   8   9  10  11  12  13  14  15  16







July 12, 2017

The buzz of watching what we weren't supposed to.


Oobie's video shop on the main street at home was my heaven as a teenager. I lashed so much money into that place as a young lad it was ridiculous. They never asked for proof of age which just rocked. Xtravision up the road had a newer selection but Oobie's was far better. Older stuff, foreign stuff, cult stuff I'd never heard of before. That shop introduced me and the boys to John Woo, Mario Bava, Lucio Fulci, Lo Wei and George A. Romero and I'm forever grateful. And then there was the treasures hidden under the counter. No no no, it wasn't porn, but it was illegal. The films that were banned in Ireland.

Stuff like The Exorcist and A Clockwork Orange ( both not technically banned but very unavailable ), The Evil Dead, The Texas Chainsaw Massacre, Meet The Feebles, Man Bites Dog, The Bad Lieutenant etc and a nice selection of the infamous video nasties of the 80's.

Oh man the thrill of getting your hands on this stuff was great. Hanging around in the shop until it was empty and then sidling up to the counter, making shite small talk, while the bloke behind the counter looked at you in utter bemusement,knowing exactly what you were up too. The video's had home made labels and were on the verge of falling apart. They were copies of copies and looked awful but we didn't give a fig. We'd bring them to which ever house had no parents for a few hours and pile around the TV. 

Specific memories.

Roaring the house down during the eyeball scene in Zombie Flesh Eaters

Being absolutely traumatised by the home invasion scene in Man Bites Dog, so much I had to go into the garden to stop myself getting sick, and the other bastards laughing out the window at me.


Trying to act hard and pretend not to be scared during The Beyond and failing miserably.

4 of us literally bouncing around the house with glee during that insane Evil Dead ending.


A friend's granny walking in on us during the crucifix bit in The Exorcist and making us say Our Fathers ( I'm not lying here)

Of course all these viewings with accompanied by copious Silk Cut Purples & Benson And Hedges just to make it all even more cool!! We were 16, we thought we were the absolute shit.

The vast majority of the time the films disappointed us by not living up to the hype but every now and then they were great. It wasn't about the quality of the films though. It was the buzz of watching something forbidden and getting away with it. It was like gambling. It's not about what you win but about the tension and adrenaline kick of wondering would you win.

Another place was car boot sales and flea markets. Film collector heaven. You could find anything there. There was a great flea-market in Dublin near St Stephens Green shopping centre that was full of treasures. I'd go into Easons, read Dark Side magazine then stroll up to the flea market and have a nose. They rarely had what I'd just read about but you nearly always left with something good.

That buzz doesn't exist anymore. Everything is easily available in seconds. Netflix, Youtube, streaming sites or a simple click on amazon. Stuff that was banned and only available on ropey 3rd generation VHS copies now gets pristine blu-ray releases. It's great to see these films how you were supposed to but it's just not the same. The thrill is gone.

I suppose part of it is growing up too. I still love horror films but I've lost interest in the gory stuff. Give me a solid ghost story now and I'm happy out.

It was fun while it lasted though.

Any dodgy movies memories of yer own to share?

July 11, 2017

A perfect pairing of sound & vision part 3. Once Upon A Time In The West.

One massive spoiler right here if you haven't seen this film.

The most iconic scene from arguably Sergio Leone's masterpiece.

A man called Harmonica has teamed up with a recently widowed woman called Jill and a man called Cheyenne to get revenge for past wrongs.

Very late in the film we get a flashback to Harmonica's youth.

A cruel and cold scene where we find out the real reason behind our heroes motivation for revenge.

That Morricone score. Brooding, oppressive and terrifying. The evil smiles. Henry Fonda's cold blue eyes. That Monument Valley scenery. Tonino Delli Colli's cinematography. Imagine seeing this on it's original 1968 theatrical run. It still blows me away now. Astonishing in its cruelty.
 



But still an amazing amalgamation of sound and vision.

Previous parts

Goodfellas
Last Of The Mohicans

July 10, 2017

The unsung heroes of Film and TV part 16. Fiona Shaw

Fiona Shaw




A face we probably all recognise but how many of us know her name. Hands up, I didnt until a few months ago. I knew she was Irish but for some reason knew nothing about her until she turned up in some awful comedy I found myself watching on Netflix one night. Fiona has had a serious career and one that has been on stage, and TV and in film. A real all rounder.

She's been a witch that was racist against vampires. Been a Muggle 4 times. Been tortured by a little ginger Demon. Helped 3 men look after a little lady. Was involved in the most famous unsolved murder in Hollywood history. Been in the really really bad Avengers film. Took part in the best Terence Malick film of the 21st century. Spoken the words of Charlotte Bronte, Leo Tolstoy and William Shakespeare. Worked opposite Orson Welles. Sort of. And she's just about to play one of Ireland's most famous women - Countess Markievicz. All this and she was in the Super Mario Bros movie but we won't hold that against her! Check out her career here. 




Greatest Hits

The Left Foot. Dr Cole, the object of Christy Brown's affections and the woman that helped make him world famous.

The Butcher Boy. Mrs Nugent, mother of Philip and target of the vile Francie Brady. Ends up scattered all over Clones town.

The Black Dahlia. Ramona Linscott. The woman who (fictionally) murdered Elizabeth Short.

Harry Potter (numerous films). Aunt Petunia. The dirty muggle. And not a nice one.

Previous parts

1   2   3   4   5   6   7   8   9  10  11  12  13  14  15 

July 09, 2017

It Comes At Night. A short review.



I've mentioned this before but I love going to see a film I know nothing about. It's great. It's a little thrill like gambling, not knowing whether the film you've paid for is going to be any good or not.

It Comes At Night, I'm happy to say is really good. Grim as jaysus but really good.

Set at some time in the near future, the world has been hit hard by an unspecified apocalypse. People are on the run, hiding out in isolated places and living off whatever food and water they can scavenge. And defending what is their's with deadly force. A man, woman, their teenage son and their old dog live a quiet life in a boarded up house in the woods. Being careful is their watchword. Security is paramount. Nothing is done without careful planning. One night a man arrives at their door and changes everything.

Whoa, this was effective stuff. Terrifying, overwhelming, claustrophobic and utterly gripping. It makes for a superb horror film and yet it's an intimate family drama too. We see just what desperation will do to people. We see how despair ties people together. How fast men fall back into prehistoric hunter gatherer mode. How quickly we will turn animalistic to protect what's ours. It doesn't take much and shows just how close to falling apart society is at all times. The oppressive, bass heavy soundtrack and the woodland location make the film feel very penned in and suffocating and scenes framed by gnarled tree branches and tentacle like roots lend a sinister edge to even normal shots of woodlands. It's very subdued in it's horrors too. We rarely see anything yet feel everything. Great film-making.

Joel Edgerton is superb in the lead role of Paul. A terrifying but loving father who will do anything to protect his family. He's turning into a cracking every-man actor. Carmen Ejogo is great as Sarah, the backbone of the family. A calming influence but one that's about this * * far from snapping. And Kelvin Harris hits the spot as son Travis too and does some top notch acting, a lot from facial expressions alone.

A tough but compelling and frighteningly realistic film that will suck you in. Plus it's only 90 minutes long. Perfect.

Go see it quickly though. This won't be in the cinema for long. 


July 08, 2017

11 Films worth seeking out on TV this week.



Kisses   Sat   8/7   BE3 @ 21.00

A boy and a girl run away from their troubled family life and escape into the city centre of Dublin for an adventure that is both exciting and terrifying. A film that finds a strange type of beauty in inner city Dublin, going from black and white to colour as the kids experience their first bit of independence. Kelly O'Neill and Shane Curry as just perfect as the leads. A gritty, warm, scary and lovely Irish film that's well worth a look.


Jackie Brown   Sat   8/7   W @ 21.00


An air hostess arrested for smuggling money finds herself caught between a drug dealer and the law and decides to make something for herself. Arguably Quentin Tarantino's most accomplished and mature film to date.This lacks the blood & fireworks of his earlier films but makes up for it with glorious dialogue and acting and a superb cast including Pam Grier as Jackie and Samuel L. Jackson, Bridget Fonda & Robert De Niro in fine supporting form.

Warrior   Sat 8/7   TV3 @ 22.00

2 estranged brothers torn apart by their broken family finds themselves on a collision course in a mixed martial arts tournament. Gavin O'Connor's family drama is immense stuff. Packs a punch as strong as anything thrown in the excellent fight scenes. The acting is top notch too. Tom Hardy gets all the credit and he deserves it but Joel Edgerton is great too. And it's always a treat to see Nick Nolte on screen.

Foxcatcher   Sun   9/7   BBC2 @ 21.00

2 brothers readying for the 1988 Seoul Olympics find themselves sponsored by an eccentric millionaire and move into his estate to train. Things get strange. A fantastic film right here, unsettling in places, haunting and cringeworthy in others and full of amazing acting. Steve Carell owns the film with a superb performance as a very troubled man but Channing Tatum really surprised me too. This film showed a very different side to him.

Crank   Mon   10/7   ITV4 @ 22.00

A man is poisoned by Chinese gangsters and has to keep his heart rate up high to survive. This film is insane. And absolutely brilliant. Jason Statham plays Chev Chelios with gusto. Whether zapping himself with electric paddles, ODing on red bull, starting fights he can't win or having very very public sex, he'll do anything to stay alive. Hilarious stuff but stay away if you are squeamish or easily offended. This is not for the weak of heart.

Beau Geste   Tues   11/7   Film4 @ 14.30

3 adopted brothers who live in high society London finds themselves in the French foreign legion after a priceless family heirloom goes missing. Gary Cooper, Ray Milland and Robert Preston play the 3 and all hit the spot. A big epic film about the meaning of brotherhood. The story is compelling, the characters are great and as it was shot on location in the desert it looks fantastic too. A perfect rainy day film.

Centurion   Wed   12/7   TCM @ 21.00

A small group of Roman centurions finds themselves isolated behind enemy lines in 117AD. The Scottish tribes do not take kindly to their presence. Neil Marshall's film is great bloody, crunchy, exhilarating and exciting fun and most importantly doesn't take itself too seriously. Michael Fassbender is cracking in his first big action hero role and Olga Kurylenko is on fire as his rival who has plenty of reasons to hate these intruders.

Killing Them Softly   Thurs   13/7   Film4 @ 23.35

Brad Pitt stars in this highly entertaining and very cynical thriller as a hitman brought in by the local mafia to solve a robbery at a card game. Dark, gritty and blackly funny, this is a gangster film by way of Ken Loach not Martin Scorsese. Pitt is brilliant in the lead and James Gandolfini, Ray Liotta and Richard Jenkins lend superb support. All this and it has one of the best all time final lines of dialogue in film.

Mystic River   Fri   14/7   RTE2 @ 21.30

A young girl is found murdered in South Boston and it sets in motion a sequence of tragic events concerning her father and his friends. Clint Eastwood's adaption of  Dennis Lehane's novel is a magnificent movie. Heartbreaking, gripping and a complex look at the effects of violence and all it's myriad consequences. Sean Penn, Laura Linney, Kevin Bacon and especially Tim Robbins are all excellent. 

Wild Bill   Fri   14/7   TG4 @ 21.40

Walter Hill's wonderful film about the last days of the legendary Wild Bill Hickok, a man dogged by his reputation all of his life. Set in the infamous mining camp of Deadwood, South Dakota. Jeff Bridges is brilliant in the lead role and succeeds in turning Wild Bill into a sympathetic and broken character who was haunted by his past. Ellen Barkin is Calamity Jane and is excellent as always. She should be in more films.

Scream   Fri   14/7   Syfy @ 22.00

A masked killer stalks a small American town and sets his sights on a high school girl who is far tougher she looks. Wes Craven's loving homage to 80's slasher films is just a perfect horror comedy. Hilarious in places and flat out terrifying in others. It walks a line so many other copycat films have tried to and failed including the sequels. Neve Campbell is on fire in this and carries the film perfectly. David Arquette & Courtney Cox add loads of fun.




July 07, 2017

The story of Cú Chulainn. A film I'd love to see get made.



The last big budget Irish film was Michael Collins. That was 21 years ago! That's just not on at all! Everyone loves us or so we hear, therefore it stands to reason that everyone would love to see another massive Irish film right? 

And what could this massive film be? Why a mega budget film version of the story of Cú Chulainn, one of the most famous stories in Irish mythology. And why not? The historical fantasy genre is massive. Lord Of The Rings and The Hobbit were huge. Game Of Thrones is a still a global phenomenon 6 years into it's run. Imagine a story as rich and full of fantasy as those but with an Irish slant? Come on. It would be amazing. An action packed epic full of celtic mysticism*

*Colm Meaney in Intermission has made this phrase a fave of mine :D

We could see him growing up as Setanta (his birth name), his training with Scáthach, a fearsome woman warrior, falling in love with her sister Aífe, his life long friendship with Ferdiad and the famous confrontation with the hound of Chulainn that gave him his name. We could see him defend Ulster single handedly against Warrior Queen Medb at the battle of Cooley. We'd see some of the self made tragedy that entered his life. And I'd love to see what happens when he went into his infamous battle fury where he killed everyone that came near him be it friend or foe. And his death is really the stuff of legend. A true warrior's demise. 

Nicky English style

There were rumours a few years ago that Michael Fassbender was attached to play the great man. He's proved his action chops with 300 and Centurion and as Magneto in the X-Men films and would be a great home grown pick for this. And come on, it would have to be an Irish actor. Brendan Gleeson could be great as Chulainn or Conchobar Mac Nessa, the King Of Ulster. He has plenty of experience with historical war epics such as Braveheart, Troy & Kingdom Of Heaven. Maybe Saoirse Ronan or Ruth Negga as Queen Medb? Tbh Medb needs her own film too. Liam Cunningham would be perfect in this too. As a matter of fact every film is made better by the addition of Liam Cunningham.

Imagine seeing the stories we learned as kids on the big screen? Imagine the buzz you'd have watching this in a cinema full of cheering Irish people. 

There's swathes of stories to choose from aside the above. Tír Na nÓg. The children of Lir. The Tuatha Dé Danann. Fionn Mac Cumhaill. A rich deep tapestry of mythology that is mostly untapped. Song Of The Sea, a family film from 2014 recently delved into the stories of selkies and it was phenomenal stuff. Now imagine a grown up retelling of some of these myths. 

Aw man this could be lethal. 

July 06, 2017

Spiderman : Homecoming. Good fun.



Tobey Maguire's Spiderman series had two superb installments and one awful one. Andrew Garfield's Spiderman had one good installment and one godawful one. So far Tom Holland's Spiderman has one installment and it's pretty damn good.

This one is all about the fun.

Some mild spoilers.

After a clever opening that ties this film to both the events of The Avengers film and Captain America : Civil War we get to meet Peter Parker properly. He's a nerdy and intelligent 15 year old high school kid who has had a taste of being a superhero and wants more. But the Avengers are off doing their global/intergalactic/falling out thing so he settles for being the friendly neighbourhood Spiderman, solving petty crime and trying to keep his secret from his Aunt May and his best friend Ned. But when thieves with (literally) out of this world weaponry go on a crime spree he sees his chance to join the big league of crime fighting.

This was a highly entertaining film. Far more down to earth, mostly, than the other Marvel films and all the more enjoyable for it. The first hour is as good as any Marvel film, just sheer fun and flat out funny. It sort of reminded me of a far less dirty Superbad but with added webslinging. We see Peter failing miserably at the social side of high school but still being pure lovable at the same time. His friend is great and there's a few welcome changes from the past Spiderman films, involving the girl he fancies and the school dickhead. However I felt the film lost some of it's charm around the halfway point due to an injection of technology and a sluggish flabby middle but happily it rallies itself up again pretty sharpish. 




Tom Holland is a joy as Peter Parker. He's exactly like his comic book counterpart. Silly, childish, full of fun and mischief, and quite frankly amazed with what life has handed him. You feel for him instantly. He's exactly like the people we knew in school. As good as Tobey Maguire was he was far too old for the role. Tom is 21 but looks 15. He looks the part. Michael Keaton is the baddie of the piece. He's great, he's always great. He adds heft to the film as a down to earth, much more grounded villain than we are used to in the MCU. Marisa Tomei makes the most of a smaller role as Aunt May. She's good in the few scenes she has and gets a very funny scene right at the end of the film. Hopefully we'll see more of her in the next film. Jacob Batalon is hilarious as Ned. He gets most of the best lines in the film and even his own little heroic moment. There's a great supporting cast too of recognisable TV faces. Martin Starr, Donald Glover, Tyne Daly and Hannibal Buress all add to the fun.

One of my favourite things about this is they don't feel the need to go through the rigmarole of how Peter got his powers. It's been done numerous times, we all know and thankfully isn't gone through again. Well it is but it's dealt with in one line of dialogue. Nice and refreshing.

OK a few downsides. The lack of danger is annoying. If you've seen the trailers you'll know another famous Marvel character appears in this. With him in the background ready to save Spidey we lose some tension in the film, knowing they'll be there to save the day.  The lack of Aunt May annoyed me too. She's a massive part of Peter's life and she gets feck all screen time here. Why hire an actress as good as Marisa Tomei and then waste her? Maybe she had a load of scenes deleted, who knows, still annoying. She is good when she appears though, which makes it worse! And then there's the climax. The climax is always the weak point in modern superhero films. It's always loud, bombastic and an orgy of CGI. Every single time ( Actually I'm wrong, Civil War had its CGI climax 2/3's of the way in and finished the film with a low-key fight which we all appreciated ) and it's gets boring fast. Bang, bang, explosion, crash, bang, wallop. 

Apart from those complaints though, it's a very solid re-entry into the Marvel Universe for Spiderman. And the new pick for Spiderman is perfect, couldn't ask for better. Plus a few cameos and easter eggs will keep the geekier fans smiling and nodding. Oh and as usual stay after for scenes during the credits.

A fun 2 hrs at the movies.

July 05, 2017

Stories I want to see made into huge films. Lyudmila Pavlichenko.



The Story of Lyudmila Pavlichenko.

This could be a fantastic biopic. The story of the best female sniper in the world. 

I'd love to see a big budget version of this story on screen from a director like Kathryn Bigelow or Patty Jenkins. Both have proved themselves as great directors of action.

Lyudmila fought for Russia during World War 2 and notched up 309 kills. When the war started she wanted to join the army but because women weren't accepted at the time she was given the option of becoming a nurse. However because of her skills ( She'd been sharpshooting since the age of 14) and the demand for soldiers she was finally accepted. Her and 2000 other women became snipers in the Red army. She fought in Odessa between 1941 and 1942 and became very famous because of how good she was and how feared she was by the German army. After the war she went on to become the first Soviet person to be ever invited to visit the USA by an American president and gave speeches to massive crowds in New York and Chicago.

I know there's been buckets of war movies made but how many have we got to see from a woman's perspective? It would add a whole new dimension to proceedings. Plus we'd see the struggles and adversity she faced in what was up to then very much a man's world. And still is.

I love to see it done correctly though. Films that glorify warfare are always a letdown. The best ones are the ones that show exactly what war does to people.

Ok, now, before I forget, there has already been a Russian film ( Battle For Sevastopol ) made of this story but it's too melodramatic and too afraid to focus fully on Lyudmila. It's a pity it felt the need to add fake drama to a story already full of it. A film like this doesn't need a forced love story.

Hollywood has always been afraid of big budget women led blockbusters but surely the success stories of the Hunger Games series of movies and more recently the huge box office of Wonder Woman would give them more confidence.

Now. Any ideas on who could play the lead role?? Being brutally honest, it probably and sadly wouldn't ever get made with a Russian actress in the lead especially if it's a big UK or US production. So I'm thinking maybe Emily Blunt. Any other suggestions? 

Next - The story of Cú Chulainn.





July 04, 2017

Urban myths of cinema

Remember those mad stories you'd hear when you were younger about a certain film. That it was cursed or that a certain actor had died during the film and the film actually showed his death. Here's a few of the most famous ones.

Three Men And A Baby 

Remember this one vividly. Supposedly you could see the ghost of a young boy who died in the house where the film was being made in the background of one of the scenes. This one was actually quite freaky. I remember watching it and standing up shouting "I SEE IT I SEE IT". Eventually it came out that it was a cardboard cut out of Ted Danson from a storyline that had been removed from an early version of the film. Meh, boring, the ghost story is better.




The Wizard Of Oz

First time i heard about this was in Premiere magazine back in the 90's but the rumour had been around for a lot longer. Supposedly in the background of the Yellowbrick road scene you can see the body of someone hanging from a tree. The rumour was it was a munchkin actor who took their life. This has been happily debunked many times though. The foreground & background scenes were film separately so no munchkin actor's were on stage during filming and then finally detailed analysis of the footage proved that the shape in the background was large bird spreading its wings. It's still creepy looking at the pic below though.




Cannibal Holocaust

A truely controversial film. Made in 1980 during the craze of early 80's Italian horror. Controversial because it contains real scenes of animal cruelty and killing and also because people were so certain that the actor's in the movie had been murdered for real on camera. Before the film was started the actors were made sign documents to make sure they didn't appear in any other film, advert or tv for a year after this film's release to make it look like they were actually dead. This backfired on the filmmakers when the film (the first example of a found footage film) turned out to be so realistic that the director ( Ruggero Deodato) had to bring the actors to court to prove they were still alive. Even still the rumour has persisted for years and the film's notoriety and censorship issues it always faces mean it probably always will.



Don't Look Now

This Nicholas Roeg film is a masterpiece drenched in tension and unease. In the 44 years since it's released its been lauded and praised by everyone. And its also had a rather ridiculous myth attached to it too. Julie Christie and Donal Sutherland play a grieving couple who travel to Venice to help them come to terms with the loss of their daughter. In one scene they make love. The rumour is that they had sex for real on camera and let the director film it. No, they didn't. It's called acting. They are actors. They've repeatedy denied it in interviews. I'm baffled how this rumours has persisted for so long. Everytime you seen this film mentioned you can be sure you'll hear this rumour within a few lines. This paragraph proved it once again!



The Conquerer

The film where John Wayne played Genghis Khan. Ya, seriously, John Wayne played Genghis Khan. It's awful. The myth about this one is that it was cursed somehow. There was no other explanation for the amount of people, both actors and crew who developed cancer and died in the months and years after this film was made. This one is no myth though. The film was made in Utah, not far from where the US government had only 3 years before conducted 11 nuclear missile tests. The film maker's knew this but proceeded anyway as the government assured people there was no health risk. Pretty fucking reprehensible stuff for a film that the funder (Howard Hughes no less) considered so bad that he bought all the prints of it to try and hide it.



July 03, 2017

The unsung heroes of Cinema and TV part 15. Xander Berkeley

You recognise their faces but you aren't quite sure where from. You see them and go "HIM!! I see him in everything" and then you forget them. There's a fleeting recognition that disappears as soon as they die in, usually, violent ways. These are the actors that if, IF, you notice them, don't turn up in the opening credits of a film. In fact you'll have to do some pretty lengthy searching of the closing scrolling credits to find them

Xander Berkeley




The balding chap with the friendly face that turns up in everything. A jack of all trades. Has played decent skins and slimy bastards. Criminals and government officials. Cops and robbers. Started off in classics 80's tv staples like The A-Team and Cagney And Lacey and paid his dues before moving on to film. 

He's the man that saved Los Angeles from Nuclear holocaust. He's been both Liam Neeson & Al Pacino's's love rival. Been skewered by no5 on this list, been the King of the cavemen. He's been a sneaky double crossing bollix of a secret service agent. He's pursued the Rock. He's pursued Kick-Ass. Been killed by a Universal Soldier. Been a nasty Las Vegas cabbie. Been ripped apart by a hook handed ex lover. Been in seminal British films about Sid and Nancy. Been in Spielberg classics. Been in direct to video awfulness. Been in 231 different films and tv shows. He's a busy busy man. Currently the mayor of a town surrounded by zombies. Take a look at his career here

How many times did i tell ya!!
Greatest Hits

Candyman. Trevor, the slimy husband of the film's heroine Helen. Gets an immensely satisfying final scene.

Terminator 2. John Connor's foster father with a penchant for softball t-shirts and drinking from the carton. Meets a rather grisly ending.

Air Force One. The head of President Harrison Ford's secret service detail and the man that sets the Russian terrorists plans into motion. Dies in the worst piece of CGI ever. Ever.

24. George Mason. Head of CTU. Initially a prick, out for himself but finds redemption by saving the city of Los Angeles by crashlanding a plane containing a nuclear bomb in to the desert. Sound.

Previous parts

1   2   3   4   5   6   7   8   9  10  11  12  13  14



July 02, 2017

First Blood. A film people should watch again.


Have a think about Sylvester Stallone? What do you see? A bloke firing a machine gun? A chap slurring his words. A muscle bound action hero?

You've got the wrong idea about him. In my opinion the man is a sorely underrated actor who can rise to the occasion in superb fashion when the material suits him. WHEN. He has starred in his fair share of dross in fairness.

Here the material suits him. And man does he rise to the occasion.

John Rambo is a Vietnam veteran and a loner. The war has done irreparable psychological damage to him. He spends his time hitchhiking because he can't face going home to his family. He goes to visit a friend that he served with only to find out that he's recently passed away from cancer after being exposed to agent orange. Distraught, John hits the road again and soon finds himself in the town of Hope (Hope, ya right) looking for a meal and a bed.He asks the sheriff for directions and gets a ride with him. The sheriff however drives him back out of town and warns him to stay away. Stubbornly John walks back into town and gets arrested. The sheriff and his deputy's abuse John in custody and this triggers flashbacks to his time as a prisoner in a Vietcong war camp and his torture there. This flips him out and he escapes the jail and finds refuge in the forests near the town. Here he uses his skills and his knowledge of guerilla warfare to stage a stand against the cops.


I love this film. It's an deep and complex tale masquerading as an action film. It's one of the few films that is better than it's source material (adapted from 'First Blood' by David Morrell). It's exciting and upsetting and thrilling and tense. It's a great cautionary tale about how people who are viewed as different are treated. It's well acted and well made and looks fantastic. That British Columbia scenery is glorious. It's one of the best films of the 1980's and one that sadly never gets much praise. It's a film that snobbish film fans overlook because of it's star and it's a pity because it delivers on pretty much every level. It's a rare beast. A visceral and emotional slap all wrapped up in an action film.

Stallone is immense in this. It's a performance of few words but he doesn't need to talk much. It's all in his eyes and his actions. Look at that look in his face in the first picture above. Life has beaten him down and it's not finished with him yet. He uses the same look in all his best films. Rocky, Copland, Creed. You empathise with him instantly. He just wants to be left alone and to suffer in silence like all dopey men. Brian Dennehy puts in a cracking performance too as the villain of the piece. He's a big physical presence and uses it well to make his bullying character believable. You hate him straight away. He's a prick. And yet all he's doing is trying to protect his town. But he's doing it in a really crappy way. His overzealousness sets the movie in motion. In his eyes he's doing the right thing. Shades of grey. 

Mention the title of this film and people think of a bulletfest. It is violent in places but only one person is killed in the entire film, and that's from a fall. The violent acts in this film carry weight, have impact. They are the acts of a man defending himself the only way he knows how, the way he's been trained, instinct, muscle memory. In the sequels he becomes a killing machine and while they are fun, none of them can hold a candle to this.


People see the above poster and dismiss it straight away. The poster makes it look like a shitty action film but it's far more than that. It's an intelligent and troubling look at how society treats the people on it's fringes. The people we'd prefer not to think about. The people we avoid eye contact with on the bus and the street. A lot of this type of thinking is the fault of the sequels, This is a film that stands apart from them. It's a whole different thing.

This was one of the first mainstream American films about the Vietnam war and one of the first to be openly critical about it. (Other early ones were Taxi Driver, The Deer Hunter and Coming Home) The film makes no bones about the damage done to soldiers both physically and psychologically. First we get John's friend who died from exposure to American chemical warfare. Then we have John himself who has serious mental issues from being held captive and tortured. And finally we see just how badly returning war veterans were treated in the States.  The police are openly contemptuous of John and see him as little more than a criminal. The sheriff's department of Hope is a microcosm of the U.S. government. John is homeless and broke and a perfect example of how governments treat people who risk their lives for them. This was a massive issue in the States after Vietnam. The soldiers returned home expecting respect and glory like the veterans of World War 2 but instead found themselves turned into pariahs.  A sad state of affairs. And one that continues to this day. 22 veterans a day take their own lives in the U.S. according to the stats.

I think people should give this another go and I think they will be genuinely surprised by how they feel after they watch it. It's a superb film.