October 31, 2017

Night Of The Living Dead. A masterpiece for Halloween.



Some huge spoilers in here so be wary if you haven't seen this film.

Ever year I love to pick a true horror classic to watch at Halloween. Stuff like The Shining, Suspiria, The Haunting, Candyman, Friday The 13th (shut up i love it) and of course Halloween have been watched in the last few years. 

This year's pick is Night Of The Living Dead.

I picked this one because it's director George A. Romero died earlier this year and it felt like a good time to rewatch this. I also picked it because it's a terrifying and intelligent horror movie.

I saw this for the first time when I was way too young to see it. Maybe around 12. My parents were pretty sound about letting us see films not suitable for us. And like all Irish parents they had no problem with violent films as long as there wasn't any ridin' in them. Sex was the big no-no. Dead cannibals eating intestines was grand but no boobs.The version Da rented out for us was the godawful colourised version Xtravision had in stock. If you haven't seen the film, it was made in 1968 for next to nothing and B&W film was used as a cost cutting exercise. The fake colours were horrific but it didn't take away from the power of the film. I was in tatters watching it. It gripped me 5 minutes in and didn't let go until the gut punch ending.




The film starts off with a brother (Johnny) and sister (Barbra) driving through the countryside to visit their father's grave. Bro is slagging sis and ripping the piss out of her like all real family members tend to do. At the graveyard they notice an old man staggering around the place and Barbra is on edge, something Johnny takes full advantage of to spook her out. Then rapidly things go bad. The old man attacks Barbra, and Johnny in an attempt to tackle him dies when he falls and clips his head on a grave stone. Right there, the fear kicks in. The bloke you assume is the hero of the film is dead within 5 minutes, his sister is left screaming and it has all happened in daylight. Daylight isn't supposed to be scary. What in the name of jaysus is going on? Straight away all preconceived notions are out the window. What you guessed would happen doesn't and you're left on edge for the rest of the film.

Barbra escapes and makes her way to an old rickety farmhouse. Around the house and in the surrounding fields are slow moving sick looking people like in the graveyard. Barbra is understandably petrified until she meets Ben who saves her from one of them. Barbra is in extreme shock over the death of her brother and the madness outside and falls into a state of distress. It's here Ben assumes the lead role. Ben is black. I'm mentioning this because this film was made in 1968 and black actor's didn't get tend to get lead roles in films at this time unless they were Sidney Poitier going to dinner with Spencer Tracey and Katharine Hepburn. It was at this moment 60's audiences realised they were watching something ground breaking. The film doesn't make a big deal out of him being black either. He just is. Get over it. 




After a while Ben discovers other survivors holed up in the basement. A teenage couple and a married couple and their daughter. The daughter is sick after she was bitten by one of the people outside. They find a TV and finally find out what's causing the madness outside. A newsreader tells them "It has been established that persons who have recently died have been returning to life and committing acts of murder." It's here we see the birth of a cinematic monster that has endured for the past 50 years and is still popular as hell due to the likes of The Walking Dead, iZombie, Z nation etc. The flesh eating zombie. There were zombies in films before but nothing like this. They were generally harmless and used as slaves in Hammer Horror films or old voodoo films of the 1930's. Here was something new and vicious and different to the vampires and aliens and Frankenstein's monsters that horror fans were used too. All bets were off now. And now the film starts breaking taboo's.

In an attempt to escape the house the teenage couple try to refuel a lorry to escape. Panic and confusion leads to a fuel spill, leading to a fire leading to bye bye teenage couple. Hungry zombies stream in and rip their bodies to bits. It's pretty tame by today's standards but audiences of the day were horrified. This was a type of violence only til that point seen on news reports coming in from Vietnam. People went to the cinema to escape reality and have fun, not be horrified. This was new and appalling. Next the little girl in the basement dies. This was not on at all! Kids in films were not supposed to die. Kids were always saved. But then as that shocker subsides we see the little girl not only come back to life, but come back to life and kill and eat her mother. The was wholly new territory for horror movies. A child killing a parent. And if that wasn't enough the shellshocked Barbra is then killed by her now zombified brother Johnny who she saw die in the graveyard at the start of the film. The first audiences to see this film must have felt like they were getting kicked in the head.



But something even more seismic occurs during the above madness too. Harry, the father of the child in the basement panics and locks Ben out of the house as zombies attack from every angle. Ben gets back into the house and beats Harry before shooting and killing him in self defence. A black man beating and killing a white man onscreen. Nothing like this had ever been shown before. This just didn't happen. The film's distributors even avoided showing this film in many of the more conservative states in America for fear of what would happen when audiences saw it. In the space of 20 minutes the film shattered numerous taboo's and cemented it's place in cinematic history.

The next morning Ben wakes up and surveys the scene. He's the only survivor of the night. He hears a noise outside and sees a posse out killing what's left on the horde outside. He peeps out the window and it's here that the Night makes it's ultimate statement. Ben is shot in the head and killed. He's been mistaken for a zombie and he gets dumped into a blazing fire with the rest of the bodies. The hero of the film, gone in an instant. No warning, no foreshadowing, just unceremoniously killed. The subtext is clear. Black People do not matter to White America. They are just more fuel for fire. When this film was released Martin Luther King was only 6 months in his grave. Another Black hero shot in the head. A scene grimly repeated on a near weekly basis in America in the 50 years since this film was released. Ben's death turns the film from grim to nihilistic. If the hero can die so easily what's the point? It's here the film's story goes from scary to profoundly disturbing. A true "horror" movie.

Night Of The Living Dead is brilliant. It was also George A. Romero's debut feature film too. Imagine having this as your first feature. It had such an impact that it shadowed his entire career.  A seemingly simple but deeply layered film that had a awful lot to say about the state of the 1960's America. Had it just been another scary movie with nothing to say it probably would have been ignored but that fact that it had the balls to break new ground and be critical of the establishment means it's still fondly remembered and talked about nearly 50 years later. When you watch it you get the best of both worlds. A cracking horror story and you get to watch history being made before your eyes too.

An honest to god masterpiece and one I can't wait to rewatch tonight.

October 30, 2017

A perfect pairing of Sound & Vision part 15. The Mission & Gabriel's Oboe.

In the 1740's a group of Jesuit priests attempt to convert the tribes of Argentina into Christianity. Father Gabriel meets the GuaranĂ­ tribe who have already killed one priest and captivates them with a musical instrument they've never seen before. Sadly he also places them on a path that will mostly destroy them too

It's a powerful scene and a lovely juxtaposition of sound and vision. A piece of music made over familiar by its use in Aer Lingus ads is just glorious when heard over beautiful jungle scenery and awe struck faces.



A scene all about the universal power of music. A power that transcends culture and language. And done with a glorious piece of music  from the mind of Ennio Morricone.

Previous parts


Before Sunset
Carlito's Way
A Knight's Tale
Platoon
Before Sunrise
Rushmore
An American Werewolf In London
Dazed And Confused
Boogie Nights
Raging Bull
Almost Famous
Once Upon A Time In The West
Goodfellas
Last Of The Mohicans

October 28, 2017

11 Films worth watching on TV this week.


Killing Bono   Sat   28/10   TG4 @ 21.30

2 brothers looking for fame in the world of rock look on in jealousy when their schoolmates start a band called U2 and things take off rapidly for them. A very funny and entertaining Irish film that was mostly overlooked on its release. It's well worth a watch. It has a fine cast too. Robert Sheehan has fun in the lead, Martin McCann does a hilarious Bono impression and it also sadly features the final role of Pete Postlethwaite who as always is great.

Dead Calm   Sat   28/10   W @ 21.00

Following an awful tragedy a couple on a boating holiday at sea take in the survivor of a boat wreck. Of course things go sideways. A cracking thriller that never gets boring despite being mostly set onboard a small ship. Good writing, some super acting and a lot of tension make this a gripping watch. Nicole Kidman and Sam Neill are in cracking form as the couple and Billy Zane makes for a memorable baddie.

Animal Kingdom   Sun   29/10   CH4 @ 01.10

When his mam dies a young man goes to live with his gran and his uncles. It doesn't take him long to find out that they are an unsavoury bunch. This 2010 Australian thriller is a beast of a film, wrenchingly tense in places and totally unsettling all over. Superb cast too with Jackie Weaver and Joel Edgerton standing out but the film is owned by Ben Mendelsohn who creates a character who will haunt your dreams.

What We Do In The Shadows   Sun   29/10   BBC2 @ 23.15   (Changed to BBC2 Wales for some reason, most freeview boxes have it)

A documentary crew films the lives of a group of vampires in a house share in Wellington, New Zealand. Sounds odd right? It is but it's also great fun. A laugh out loud comedy in parts thats sprinkled with some surprisingly bloody horror, some social commentary and even a touch of pathos. Jermaine Clemant and Taika Waititi ( also the director) are perfect as two of the main vamps. Give this a go.

The Mist   Mon   30/10   The Horror Channel @ 21.00

Frank Darabont's fantastic adaption of the Stephen King story about a mysterious fog that descends on a small American town. On the surface a monster movie but also a look at the dangers of religious extremism. Thomas Jane is solid in the lead but Marcia Gay Harden steals the film with a terrifying performance. A scary, thrilling and very effective film with an ending that.........well you need to see it for yourself.

The Ring   Mon   30/10   TG4 @ 21.30

While investigating a death, a journalist comes across a videotape that seems to have dire consequences for anyone who views it. This is a rare remake of a cult original that works well due to a genuinely unsettling atmosphere and horror that is hinted at and not seen until the end of the film. Naomi Watts is very solid in the lead and gets good support from Martin Henderson and Brian Cox.

Prevenge   Tues   31/10   Film4 @ 22.40

In the seventh month of her pregnancy a woman starts doing things pregnant women don't usually do. Written by, directed by and starring Alice Lowe ( who was really pregnant) this a cracking bit of low budget black comedy/horror. A clever and unique film too that will keep you guessing at its twists and turns. Hard one to talk about without giving the plot away so just believe me when I say it's worth watching. 

American Ultra   Wed   1/11   Film4 @ 21.00

A permanently stoned store clerk finds himself the target of numerous assassination attempts and he has to clear his head to try and figure out why. Jesse Eisenberg is fun as the clerk in question and far less annoying than usual. A funny and in places pretty vicious bit of silliness that will keep you entertained for 100 minutes. Kirsten Stewart, Connie Britton and Walton Goggins are solid too.

The Naked Spur   Thur   2/11   TCM @ 16.55

Whilst pursuing a killer, a bounty hunter is forced to hire partners who don't exactly rate highly on the trustworthy scale. A gripping, exciting and for the time, pretty nasty western that was yet another successful partnership between director Anthony Mann and star James Stewart. Western stalwart Robert Ryan is a great baddie and the climax of this 64 year old film is still influencing movies to this day.

Severance   Fri   3/11   The Horror Channel @ 21.00

Whilst on their way to a company retreat in the wilds of Hungary the employees of a weapon company find themselves fighting for their lives. OK, I know the fact that Danny Dyer is in this will put a lot of people off but if you can get over your hatred for him you'll find this to be a highly entertaining comedy/horror/thriller that subverts cliches and tropes cleverly. Andy Nyman and Laura Harris in support add to the fun.

California Suite   Fri   3/11 RTE1 @ Midnight

4 groups of guests check into a Beverly Hills hotel and have all manner of misadventures, some dramatic, some slapstick, all entertaining. Writer Neil Simon adapted his own stage play for film and the result is well worth watch and has a starry dream of a cast. Jane Fonda, Alan Alda, Maggie Smith, Michael Caine, Richard Pryor, Elaine May amongst others. The Smith/Caine segment is the best one imo. 











October 27, 2017

Your music collection and the memories it holds.

A rare non film related post. Well there's still some filmy stuff but mostly not.





I'm at home in my parent's gaff in Roscrea. The CDs stacked up in my bedroom caught my eye. They've been there untouched for 5 or 6 years. I got a sudden urge to listen to one. Which one though? My music collection contains maybe 3 albums from this decade. I've no interest in modern music. Nothing ever catches my ear anymore. After about 2 hours of looking through the shelves I decided to listen to Isobel Campbell and Mark Lanegan's The Ballad Of The Broken Sea. 



Yes, that is a Pirates Of The Caribbean baseball

2 hours. I'd just spent 120 minutes looking through them deciding what to listen to. 120 minutes looking at the cover art and reading the inlay sleeves. 120 minutes remembering where I bought them and who I've listened to them with. 120 minutes of pure nostalgia. You don't get that with MP3's or Flac files or whatever they're called now.

Just reminded me of this scene from one of my favourite films.





I found the first CD I bought in 1995. From a music shop in the Square, Tallaght. I was so giddy. My first foray into new technology. All cassettes before that. First metal album I owned as well. And first metal band i went to see. Sunstroke 95 in the RDS Simmonscourt. We met  and got insulted by Jonathan Ross on the way and a friend of mine got knocked down by a car. Good times. He was grand BTW.





And the last CD i bought in 2012(?) in the Sound Cellar on Nassau Street. Dublin's best kept secret. A haven for people who like their guitars loud. I haven't listened to a Soundgarden album since Chris Cornell died. Can't bring myself to. I'm an awful sap.





The one I borrowed off a friend and never got to return before he died. Wasn't a big fan of it but I'm never going to part with it. It brings back a lot of memories and thankfully the good outweigh the bad. This hasn't been opened in over 10 years now. Still miss ya kid.





The one I've listened to so much i know every single note, key change and lyric off by heart. A friend of mine loved this album so much and wouldn't shut up about it that I actually wanted to hate it and got really annoyed when I loved it that much too. 





My favourite Irish album ever. Bought in the big Virgin Megastore on Aston Quay. God i loved that place. Always my first port of call when i went to the big smoke. An album I never got into until years after its release but once I did that was it. 





The album that changed my opinion on things. Up to then I was strictly a rock and metal kid. Wouldn't even consider listening to anything else. Then I heard the single 'For Real' on No Disco on RTE2 one night. LOVED IT. That song was on the album Juxtapose but this follow up album was one I became obsessed with it. And slowly realised that listening to other things did no harm. I was so militant about music as a young chap that I get embarrassed thinking about it now.





The soundtrack albums i ran out to buy when i fell in love with their films. The Singles soundtrack is still amazing. Alongside the bands of the day on it it introduced 16 yr old me to Led Zeppelin ( Battle Of Evermore gets a fantastic cover by the Lovemongers), Paul Westerberg and Jimi Hendrix. Same with the Dazed And Confused OST. I learned loads about 70's rock from that one. Morricone's soundtrack to The Good, The Bad And The Ugly though.......the king of soundtracks right there. I bought that one in Amoeba Music in San Francisco. the best music shop I've ever been in. Amazing place.





It's amazing the memories that are brought up by just looking at these albums. And there was hidden treasure in some of them too. Concert ticket stubs. Little bits of art I drew and wanted to keep. I even found a 1 punt note too. That has to be worth 1000s of euros? Right? RIGHT???? Every CD I have has some sort of memory attached to it. Some bad but the vast majority of them good. Listening to Fear Factory and Slayer with the lads. Wrecking my brothers head with my Pearl Jam 'Spin The Black Circle' single. Walking around Dublin one day with my CD Walkman and listening to music for so long and so loud that I developed tinnitus in my left ear. Stealing a CD inlay for Nirvana's In Utero from Our Price in the Crumlin shopping centre because my old one was all crumbly ( not particularly proud of this one tbh ). I feel a bit sorry for kids these days. They'll never get the buzz of legging it to the shop and spending money you saved up for weeks on music you'd been waiting on for years. It's easier and........ well... free to just download an album but there's no fun attached to it. It makes music disposable when there's no bit of effort involved. There's fuck all emotional attachment. I can't see people getting misty about the time they downloaded something off iTunes.

It's how I feel about films too. I'll keep buying the physical product until I can't anymore. 

I'm a dinosaur and I love it.


October 25, 2017

What are your favourite film posters?

I love a good poster. They're my favourite kind of art. Better than any Rembrandt or Picasso.

For some reason most of my favourites come from the horror genre. I love the luridness of them. The promise of filth and horror that most of them never deliver. But they did a great job of luring an audience in and therefore did their job brilliantly. Gimme these big ol slabs of cheesiness over the boring modern day posters anytime. 




My favourite film poster ever. Just look at it. It's ridiculous. Cheesy gorgeousness. Promises all matter of naughtiness that the film never delivers but it sells the film perfectly.




I love this one. It's so ridiculous and nothing like the creature above appears in the film but since when did that ever matter.




My all time favourite horror film. It's a masterpiece and so is the poster. However if you watch the film expecting glowy eyed beasts and scenes set amongst New York skyscrapers you are going to be sorely disappointed. I love the red x rating too. Gives the film a touch of the forbidden.




Gaudy, mad, bloody and over the top. A perfect description of the film too tbh.




Italian horror film posters were never shy and this is a great example. The film is awful but who cares.




Another prime example of glorious Italian sleaze. All the guilty pleasures of the film crammed into a one sheet poster.




Love this one for it's nastiness and that tagline is just brilliant. "Unearthly lust" LOL.




This for Squirm gives a great idea of a the gooey and icky unpleasantness waiting for us inside the film. Plus its just lovely artwork.




I love the Beyond one for it's garish madness. And for once it's made up of actual scenes from the film. N.B. this one has been in my Twitter header since I joined the site.




How goddamn cool is this Spanish poster for Abilene Town. Simple but dripping with Western atmosphere.




The Polish poster for El Dorado is just lovely. Nicely surreal and off kilter as vintage Polish film art tended to be. The Duke never looked funnier.






This eerie peach of a poster for another Italian horror from the master Mario Bava is a beaut. Just look at those eyes. This one goes for insane money on ebay.




Perfection. Michael Corleone all alone in an isolation of his own making. Moody as hell. Excellent stuff


And finally the 2 newest posters on the list. The first is for a film made in 1975 but the poster was only unveiled recently and I fell head over heels for it.




HOW GREAT IS THIS!!!! So cool and simple and scary. I loved the older famous poster but this is immense. 

And last but not least this one. For a western this time. Elegant and a lovely sepia tone and one I must own. Look at it, it's just gorgeous.

  


What's your favourite film poster?


October 24, 2017

Thor : Ragnarok. Nothing new but very entertaining.



It's two years after the war and destruction of Avengers : Age Of Ultron and Hela, The Goddess Of Death has returned to claim Asgard as her own. The only person with a chance of stopping her is Thor, The God Of Thunder himself. But he's going to need a bit of help. And he's going to have a tough time getting that help to agree with him.

Thor : Ragnarok is a very entertaining film but one that suffers from the same flaws as all modern day comic book films.

You could plot out these films in your sleep. This is yet another movie that slavishly follows the Marvel blueprint down to a T. There isn't a step the plot takes that will surprise you. But it's all done with such aplomb and with such a sense of fun that you won't be able to stop yourself from enjoying it despite it's problems. 

As Thor, Chris Helmsworth is always good value. He never takes himself seriously and you can see he's genuinely enjoying himself in the movie. He's very funny too, one attempt at a cool lean had the cinema in bits laughing. Newcomers to the Marvel universe are Tessa Thompson  and Karl Urban. Both were good, Thompson especially gets some super hero moments later in the film and her ropey accent aside i hope we see loads more of her character Valkyrie in the future. Cate Blanchett as Hela looks the part but doesn't really get to do much. More on her later. Jeff Goldblum brings his unique style of quirkiness along for the ride as The Grandmaster. He fits the film perfectly but sadly his role doesn't amount to much at all, maybe 5 minutes of screen time. This being Marvel though, no doubt we'll see him again. Idris Elba returns as well as Heimdall in a smaller role this time and adds a nice touch of dignity and class to proceedings. Another couple of faces familiar to fans appear too but i won't mention them in case you've somehow managed to avoid all spoilers so far.




Director Taiki Waititi has bought the sense of joy he imbued in his recent films Hunt For The Wilderpeople and What We Do In The Shadows and applied it to the Marvel template and it makes for a joyous fit. His surreal edge suits the story of Thor perfectly. Of all the Marvels so far Thor is the one that you just can't take seriously and rightly so. He's a god FFS, you have to take it with a pinch of salt. It's a move I'd love to see Marvel make going forward ( sorry for using that phrase, i hate myself now) as some of their films do take themselves a bit too seriously. He's had a hand in making it the funniest Marvel film so far too. There's some genuine belly laugh stuff in there. A lot of it courtesy of a new character called Korg, who is voiced by Waititi himself. Everything that comes out of his mouth is gold. 

It's not all good though. 

The flaws i mentioned earlier appear. One familiar face is blatantly wedged into the story to keep him relevant and tie him to future films. Another is the ongoing issue of shite baddies in Marvel films. As good as Cate Blanchett is, in this she's just another shite baddie. The writers really need to start giving their villains a bit more motivation than world conquering. Make the stakes smaller and more personal. Michael Keaton in Spiderman : Homecoming is my fave Marvel villain so far for those very reasons. Change it up a bit, don't let it get any more stale. It's a pity to see her wasted like this. She could have made for a very memorable character. The usual CGI army of cannon fodder villains regrettably makes an appearance too. Shocker.

These are flaws that can be applied to every modern day comic book film though. And as mentioned already, there's such as sense of fun about proceedings that it will help you sort of overlook them. There are moments here that will bring a grin a mile wide to your face. A fangirl selfie, an alien warrior shouting "PISS OFF GHOST!", a crowd pleasing battle, a magical beer glass and the cracking use of a song from an iconic Seventies band. The last moment especially had me whispering "Ahhh fuckin deadly" under my breath when it happened.

It's very entertaining stuff but there's nothing new here. Still miles better than Thor : The Dark World though. That one was not good. This one is a fun 2 hours in the cinema. if you are looking to escape for a while you can't go wrong here

October 23, 2017

A perfect pairing of Sound & Vision part 14. Before Sunset.

The song that changes the course of Jesse's life.

Jesse and Celine have reunited after 10 years apart. He's in a bookstore promoting a book loosely based on their night together in Before Sunrise. Celine turns up out of the blue and once again they decide to spend their time walking around and talking. But 10 years is a long time, they've both changed and grown up. Jesse knows how he feels about Celine but he doesn't know how she feels......until she picks up her guitar.






A beautiful scene from a beautiful film

Previous parts

Carlito's Way
A Knight's Tale
Platoon
Before Sunrise
Rushmore
An American Werewolf In London
Dazed And Confused
Boogie Nights
Raging Bull
Almost Famous
Once Upon A Time In The West
Goodfellas
Last Of The Mohicans

October 22, 2017

Brawl In Cell Block 99. Jaysus.

I shouldn't have kept crashing all those weddings.

A foot kicks through a head. A child is threatened with hideous mutilation. Shattered teeth are picked out of an elbow. Are you bothered by any of the above? Well to be honest you probably should be but if the thought of seeing a film containing these things bothers you then yeah, this ain't for you. Really, do not apply.

Bradley Thomas is a reformed man but circumstance drives him back to an old way of life. Things of course go sideways and he finds himself in the slammer. A dark request is made of him, and his family is threatened if he doesn't comply. But Bradley is a big man who doesn't deal kindly with threats.

Every now and then a film is released that just flat out shocks audiences. You hear rumbles on the net when it starts getting shown at film festivals and then you read articles about it, all the while thinking, ahhh it's can't be that bad can it? And then you watch it and it blows you out of your fuckin' socks.

This is a belter of a movie. It reminded me of the best 1970's and 1980's thrillers. The ones that start off realistic and grim and downbeat and end up painting the screen red when the (anti) hero goes ballistic on his foes. Like those it's a film of two halves but skillful writing and characterisation sees both halves joined seamlessly and without being jarring tonally. That said you'll know the exact moment (pay attention to the soundtrack)  the film goes from crime drama to exploitation movie and you won't be surprised by any of the plot developments as moments in the first half that felt odd will now make sense and you'll smile with glee as the carnage splashes around you. You'll also smile at the little tiny moments of comedy sprinkled through out. They aren't much but I'm glad they are there. The film might just be too dark without them.

Vince Vaughn is a revelation. His comedy career went stale years ago and his turn in True Detective 2 was laughable but here he's something else. A force of nature. Between this and his solid role as a soldier in Hacksaw Ridge could we be seeing the start of a career renaissance as a tough guy? I actually hope so. He'd do very well at it. I never actually realised how big he was until i saw him take apart a car with his bare hands in the opening 10 minutes of the film. This is a side of him we've never seen before and it blows away the memories of a decade of piss poor comedies in an instant. He adds a nice touch of unexpected emotion to the movie too. After all he does what he does for his family. He might be big and scary looking but he still has a caring heart underneath it all. I also love that his scenes are filmed in long takes so you can see it's him at all times. No stuntmen. All adds to the lovely crunchy goodness of it all. 





Oh it's crunchy. As a matter of fact it's flat out hideous in places. Things happen to faces that I didn't think possible to happen to faces. The violence is brutal and stark. Nothing is glorified about it. We are all just bags of meat really and this movie shows us just how fragile we are. But even with all the blood and bone on display the worst moment in the film for me was a few simple lines of dialogue. A threat made to a family member. My stomach flipped like a pancake when i heard it delivered coolly and calmly by the great German actor Udo Kier. Oh jesus it's rough. It's a moment that will be too much for some. But enough about that. The supporting cast is solid. Jennifer Carpenter ( Deb from TV's Dexter ) is Bradley's better half Lauren. Don Johnston has a ball as the corrupt warden of the jail. Tom Guiry is good as a prison guard who is a sadistic piece of work and as mentioned already Udo Kier has a superbly effective cameo as a prison visitor.

The downsides. Yes there's a couple. Jennifer Carpenter is kind of wasted as Bradley's wife Lauren. She gets a few solid scenes in the first half of the film but gets sidelined after that. The rest of the time she's just a catalyst for Bradley's actions. And then there's the running time. It's 2 hr and 12 minutes long. Ridiculous. No need for a film like this to be that long. Even just losing 12 minutes and bringing it down to 2 hrs would have streamlined it a lot. 

Annoyances aside director S. Craig Zahler has made a gut punch of a thriller here. His first film as director was 2015's magnificent horror western Bone Tomahawk and this can stand tall beside it.

Well worth a watch but make sure you're able for it first.


October 21, 2017

11 films on TV worth watching this week.


The Ice Man   Sat   21/10   CH4 @ 23.35

Richard Kuklinski was an evil man. A hitman for the DiMeo crime family in New York. This is the story of his rise and fall. The story and setting are nothing new but the lead performance by Michael Shannon is so intense and unsettling that it papers over a lot of the cracks in the film. The supporting cast is top notch as well. Winona Ryder, Ray Liotta, Chris Evans and a surprising turn from David Schwimmer.

In The Name Of The Father   Sun   22/10   RTE @ 00.55

2 young men emigrate to Britain to escapes the troubles in 1970's Northern Ireland and find themselves caught up in a nightmare. The true life tale of the Guildford four and one of the biggest miscarriages of justice in recent history. A story that will enrage you, upset you and give you goosebumps. Daniel Day Lewis and Pete Postlethwaite are amazing as son and father Gerry and Guiseppe Conlon.

Suspicion   Sun   22/10   BBC2 @ 13.30

Onboard a train, a shy young well off woman meets a charmer and it isn't long before she falls for him. But is he what he seems? Yet another romantic and yet twisty/turny cracker that will keep you guessing from the master of thrillers, Alfred Hitchcock. Joan Fontaine and Cary Grant are the leads and play off each other brilliantly. Grant with his usual charm and Fontaine deserved the awards she won for this role.

Pitch Perfect   Sun   22/10   E4 @ 21.00

A freshman student is inducted into an all woman singing group and to her surprise begins to enjoy it and finally enjoy college life. A film I thought I'd hate but one couldn't help but get sucked into. It's just so entertaining and a brace of likable performances help immensely. Anna Kendrick, Brittany Snow and especially Rebel Wilson bring the fun. Quirky, silly, feel good stuff.

St Vincent   Mon   23/10   Film4 @ 21.00

After an incident with his next door neighbour a grumpy old Vietnam vet begins to babysit her bullied son and soon they begin to see the best in each other. A fun, bittersweet comedy that will make you laugh and upset you in equal measures. Bill Murray in the lead is better than he's been in years and Melissa McCarthy as his neighbour is great in a role that's a lot more dramatic than her usual parts. 

J. Edgar   Mon   23/10   TG4 @ 21.30

Leonardo DiCaprio headlines this film from Clint Eastwood as J. Edgar Hoover, the man who was director of the FBI who nearly half a century. A fascinating and excellently acted character study of a deeply flawed and complex man who wielded so much power that even Presidents were afraid of him. DiCaprio is great and Judi Dench as J.Edgar's mam is brilliantly vile, a big change from her usual performances. 

Singin' In The Rain   Tues   24/10   TCM @ 18.55

A film company that was built on silent movies tries to make the change to sound. Meanwhile its two biggest stars have a complicated relationship with each other. This is a glorious film, one to enjoy even if you aren't particularly in love with the musical genre. It's just an absolute gem. One to record for, yes, a rainy day. Gene Kelly, Debbie Reynolds and Donald O'Connor are just perfect as the leads.

A Dark Song   Wed   25/10   Film4 @ 23.15

Deep in the Welsh countryside a man and a woman delve into the occult in search of something. But dealing with the occult has a nasty habit of turning bad. A full blooded horror film that drips with ominous creeping dread. Excellent writing and 2 great lead characters played by Steve Oram and Ireland's Catherine Walker all add to the fun. Director Liam Gavin is one to keep an eye on for the future.

Mattress Men   Thur   26/10   RTE1 @ 22.15

Michael Flynn decides his business needs a kick up the arse so decides to reinvent himself as Mattress Mick. His best friend helps him out with the online side of things. As business gets better their relationship suffers. A documentary love letter to the working class people of Ireland. One full of heart, ambition and laughs and a good look at a man barely known outside of Dublin until the release of this film. Slightly surreal and absolutely charming.

Vertigo   Fri   27/10   More4 @ 10.00

An intense story of obsession sees a detective hired to investigate a woman and he becomes consumed by her. A big statement but i think this is Alfred Hitchcock's masterpiece. Superbly acted by Kim Novak & James Stewart with assured direction from Hitchcock and full of complexity and twist and turns. 10am is an odd time for it though, this is a film for a dark evening with a glass of something strong.

Candyman   Fri   27/10   Film4 @ 23.15

The urban legends of Chicago are delved into by a graduate student doing research. She soon finds out that the sins of the past are haunting the present. A truly unsettling tale from the pen of Clive Barker and a rare film that will scare you even during its day time scenes. Virginia Madsen is very effective in the lead and Tony Todd as the title character will give you the creeps big time. Record this & keep it for Halloween.