December 29, 2020

Top 10 films of 2020

That was one odd bastard of a year but no mere disease could stop movies coming out. With cinemas closed we had to look elsewhere for our kicks and streaming platforms threw us up some serious hidden gems to keep us going while our places of film worship went into lockdown.

Here's my top 10 of the year in no particular order.

Calm With Horses

Dark and brooding Irish cinema at it's best. Leading man Cosmo Jarvis will blow you away in this seaside set crime thriller.

Freaky

Big meets Friday the 13th and gives us probably the most fun film of 2020. Gore, giggles and the funniest run you've seen since the early days of Steven Seagal.

Love & Monsters

A film containing love and monsters. What more do you need? Seriously, look it up, it's shockingly entertaining. Trust me on this.

Queen & Slim

A date goes wrong. So so wrong. 2020 America in a nutshell. A superb movie that for some reason a lot of people fobbed off. Baffling.

Parasite

A film that truly deserved it's best picture Oscar. Brilliant. If you haven't seen it watch it without reading anything about it. Ignore film twitter, the shower of melts.

Unpregnant

A teenage girl wants an abortion. Her friend goes with her. A comedy drama that really deserved a bigger audience. Super stuff.

Rocks

Teenage life in the big city is miserable. It's even worse when your mam does a runner. Heartbreak and humanity go hand in hand in this brilliant slice of London life.

Wolfwalkers

As a Tipp man it kills me to say a Kilkenny set film is one of the best of the year but that's just how good it is. A glorious and beautiful dose of 17th century set Celtic mysticism.

Let Him Go

Modern day western par excellence. A never better Diane Lane and Kevin Costner set out to right a wrong in a film that takes its time and ends in gloriously pulpy fashion.

Perfect 10

A teenager discovers a sibling she never knew and her life takes a turn. For the worse or the better though. Low-key excellence and in lead Frankie Box, a name to keep an ear out for.

Runners up

Palm Springs. Summer Of 85. Possessor. Beastie Boys Story. Becky. Poster Boys. Colour Out Of Space. Rialto. Wolf Of Snow Hollow. Dating Amber. VFW. The Invisible Man. A Good Woman Is Hard To Find. Birds Of Prey. Spontaneous.

Worst films of 2020  

Coffee & Kareem or Sonny Capone. Both will make you despise the life choices that brought you to the place where you end up watching either. A kick in the balls is preferable to watching them. A urinary tract infection. A mouth ulcer. A splinter under your nail. Sipping from a carton of milk and realising the milk is gone off. Stepping in dog shit. A large queue. Forgetting your face mask after walking a mile from your car. ALL ARE BETTER THAN THESE TWO MOVIES. 


December 25, 2020

Happy Christmas


Today was lovely. Good food, good presents, good drink and good company. 4 films watched and a game of cards which I won. The kind of day that would make you forget there's a global pandemic in motion. 

More of this please. And now to watch Hitchcock films until my eyes bleed.

How was your day?

 

December 20, 2020

Time for a Christmas fave

In the run to Christmas every year I watch this. It's not festive in the least but like others do with The Great Escape and Mary Poppins it's just something I associate with this time of year. It's comfort food for the soul, an absolute joy of a film, full of fun, action and great performances.

It's one of those films like The Godfather (1&2), Jaws, The Outlaw Josey Wales and Carlito's Way that I have to watch at least once a year. Films that just never get old. 

It's a little tradition to look forward to.

December 19, 2020

20 films on TV you should watch over Christmas

Lorenzo's Oil   Sat   19/12   TG4 @ 22.25

When Lorenzo hit seven his life turned upside down when he gets struck by a disease so rare there's no research on it and no cure. So his parents Augusto and Michelle decide to find a cure themselves. Based on a true story this is of course upsetting as hell but as a look at the lengths parents will go to for their kids it's one you'll definitely get swept up in. Nick Nolte is rather hammy but Susan Sarandon nails her part.

Brooklyn   Sat   19/12   RTE1 @ 22.35

A young woman finds herself torn between the modern ways of 1950's Brooklyn and her dull life in Enniscorthy. Which route will she choose? Saoirse Ronan is superb as the lead in this film adapted from Colm Toibin's novel. Your heart will break for her as she struggles to decide between taking one step forward or two steps back. Compelling stuff, well written & acted. Domhnall Gleeson & Julie Walters are deadly as always too.

Notes On A Scandal   Sun   20/12   BBC1 @ 00.25

Barbara Covett is a lonely old teacher nearing retirement. Sheba Hart is a newer teacher with a secret. Barbara discovers what it is and decides to use it to her advantage. It's rare to see Judi Dench playing a wagon and it's a joy to see her do it with aplomb. A dark, vicious, cutting and blackly comic look at what lurks in the corners of the seemingly normal life. Dench and Cate Blanchett, rather unsurprisingly, are both excellent 

Grandma   Sun   20/12   Film4 @ 02.25 

A teenage girl called Sage finds herself in a wee spot of bother and the only person she can turn to is her granny Elle. Family issues make it all very awkward when they try to raise the money Sage needs. This starts off light and funny before leaving you shaken and dazed. Lily Tomlin as Elle is amazing in the part and gets to display the kind of range that most actors can only dream of. A heartfelt and topical watch.

Looper   Sun   20/12   Syfy @ 21.00

Looper is set in the near future where unwanted people are disposed of by sending them back in time to be killed. This is all well and good until a killer is faced with an older version of himself. This is wicked stuff. Chilling, brutal, intelligent and mind boggling. Joseph Gordon Levitt and Bruce Willis have a hell of a time playing the young/old versions and Emily Blunt does stellar work as a protective mother caught up in it all.

The Big Sick   Mon   21/12   BBC1 @ 00.10

Emily & Kumail fall in love but Emily is white and Kumail's Indian family do not approve. When Emily falls seriously ill Kumail is forced to decide what is truly important to him. This is a delightful watch, heartfelt and charming in a way that will leave you beaming after it. Kumail Nanjiani and Zoe Kazan make a solid central pairing and Holly Hunter and Ray Romano in back up do all sorts of nice work.

Chaplin   Mon   21/12   TG4 @ 21.30

In the early days of Hollywood a moustachio'ed little oddball called Charles Spencer Chaplin ruled the roost. He was as unlikely a star as you could think of and yet stole the imagination of the world. Long before Iron Man Robert Downey Jr was mesmerising as the lead of this Richard Attenborough directed biopic epic. There's a lot to learn here and thankfully it's doesn't ignore the darker side of it's main character either. 

Alpha Dog   Mon   21/12   Sony Movies @ 23.35

Johnny Truelove is owed money for drugs. Jake Mazursky ain't paying up so Johnny kidnaps his younger brother Zack to move things along. It works. Then it doesn't. This is one of those truth is stranger than fiction stories we often hear about and it's a horrible indictment of the youth of America and what happens them when their alienation and boredom mix. A cast full of famous faces gets the job done with Anton Yelchin and Ben Foster both really standing out.

Slow West   Tues   22/12   Film4 @ 02.20

Set on the wild frontier of 19th century America this is the story of a young man travelling west to see the woman he loves and the people he meets on the way. A deep and thoughtful movie, more so than your usual westerns, about the good and bad that people are capable of. But one that still delivers the beats the genre is known for. Kodi Smit-McPhee & Michael Fassbender as the leads are both convincing.

Fried Green Tomatoes At The Whistle Stop Cafe   Tues   22/12   Virgin Media 3 @ 20.00

A woman trapped in a miserable marriage makes friends with an elderly woman & begins to change her life as her older friend's stories start to have an effect on her. Flashing between the modern day & life in early 20th century Alabama this is a cracking tale that is at times both upsetting and heartwarming. The always reliable Kathy Bates and Jessica Tandy play the modern leads with Mary Stuart Masterson & Mary Louise Parker appearing in the past.

The Wolf Of Wall Street   Tues   22/12   ITV4 @ 22.00

Jordan Belfort was a scumbag who ripped people off all over America in the 1980's and 90's selling ropey shares. Amazingly Martin Scorsese has managed to turn his story into a brilliantly funny and compulsively watchable tale about the dangers of greed and egotism. Leonardo DiCaprio is on fire in the lead role and gets great support from Margot Robbie, Jonah Hill and John Bernthal. This is not for the easily offended. Seriously.

Carol   Wed   23/12   Film4 @ 01.25

In 1950's New York, two women of very different social statuses meet and fall in love. But the cultural mores of the day are a major barrier to their happiness. A magnificent film that fully deserves the critical acclaim it received. It's a gripping and heartbreaking watch that contains two sublime performances from Cate Blanchett and Rooney Mara. Kyle Chandler as always adds a touch of class too.

Burn After Reading   Wed   23/12   TG4 @ 22.30

A real film list needs a Coen Brothers film so here's a fun one. The story of a CIA analyst who loses a CD full of vital information and the two gym workers who find it and decide to better their lives by selling it. It might not be their best film but it's loads of laughs and full of twists you'll never see coming. As always the cast is second to none with Frances McDormand, John Malkovich, Brad Pitt and George Clooney among many others all having a whale of a time.

The Florida Project   Thur   24/12   Film4 @ 01.45

Florida is known for it's massive amusement and theme parks. But what about the lives lived in the shadows of those money making behemoths. Little Brooklynn Prince as Moonee will break your heart in a film that's genuinely upsetting and oddly hilarious. Sean Baker's direction and his juxtaposition of poverty and wealth offer loads of food for thought. Oh and Willem Dafoe's character Bobby will become a fast fave.

The Flag   Thur   24/12   RTE2 @ 23.15

When Harry finds out the flag his father raised in the 1916 Rising now resides in a barracks in London he sets out to get it back and his naive friend Mouse comes along for the ride. A rip roaringly comic Irish film that, like the best of our comedies, manages to be hysterical one minute and capable of making you cry the next. Pat Shortt, Moe Dunford, Ruth Bradley and Brian Gleeson all have loads of fun and it translates well to the screen.

Handsome Devil   Fri   25/12   RTE2 @ 00.50

Ned sticks out like a sore thumb at his new school due to his lack of interest in anything involving sports and it isn't until he gets a new room-mate that things start going right for him. John Butler's coming of age film is a lovely watch, heartbreaking in places and funny in others. A fine Irish cast brings it all together too, with Moe Dunford, Andrew Scott,  Fionn O'Shea and others all putting in a splendid shift.

The Haunting   Fri   25/12   TCM @ 01.55

Hill House is nearly 100 years old and those years have been filled with horror as it's inhabitants all came to strange ends. Now a team of investigators are going in to find out what's really going on behind it's tall dark walls. 57 years old and still one of the scariest films you'll ever see and one that really understands that what you don't see is always scarier than what you do. Julie Harris and Richard Johnson are very effective leads.

Great Expectations   Fri   25/12   Virgin Media 2 @ 11.30

A poverty stricken young boy in 19th century England comes into contact with both a criminal and an eccentric old woman and these acquaintances change the course of his life. This 1946 film adapted from Charles Dickens's novel is a masterpiece. A moving and thoughtful look at loss, loneliness, poverty and the social classes of a bygone age. There's a fantastic cast too including John Mills, Jean Simmons and Alec Guinness.

Coco   Fri   25/12   RTE1 @ 13.50

A little Mexican boy called Miguel wants to be a musician but his family are having none of it. When an accident sends him to the land of the dead he finds an ancestor who can help him with his problem. Pixar's 2017 animated film is a stunner that will leave you an emotional mess when it's over. Beautiful, humane, rib tickling, clever and very touching. Anthony Gonzalez and Gael García Bernal do super voice work here.

Black Panther   Fri   25/12   RTE2 @ 22.00

His father, the king of Wakanda, is dead and now T'Challa aka Black Panther must step up and lead his country against those that wish it harm. Arguably the jewel in Marvel's crown, this one is a hell of a ride. Yeah it follows the usual comic book movie formula but it steeps itself in African culture in a way rarely seen in western cinema and it's all the better for it. The late Chadwick Boseman is a mighty hero and Michael B. Jordan nails the bad guy(?) role.

The usual Christmas suspects

White Christmas   Sun   20/12   CH4 @ 14.30

Doctor Zhivago   Mon   21/12   BBC2 @ 13.10

Meet Me In St Louis   Wed   23/12   TG4 @ 13.00

It's A Wonderful Life   Thur   24/12   CH4 @ 14.35

Casablanca   Fri   25/12   RTE1 @ 02.15

Some Like It Hot   Fri   25/12   BBC2 @ 13.15

Retweets are always appreciated :)


December 17, 2020

Ahhhhhh

I had a good day today.

No need for details but it was one of those that just hit the spot.

It's nice to be smiling when you go to bed ain't it.

December 16, 2020

Wonder Woman 1984

Wonder Woman 84 isn't quite perfect but it's the most wholesome and least cynical superhero film since the early days of Christopher Reeves' Superman run and for that reason it feels like a breath of fresh air. Plus it's going to be the film that brings the shellsuit/bumbag combo back and for that reason I hope it makes a billion dollars. It won't but I can always wish.....or should I? 

66 years after she saved the world by killing the evil Erich Ludendorff and Patrick Morgan, Diana Prince (Gal Gadot) is living in a very familiar building in Washington D.C. and working in the Smithsonian institute. She adores her work but spends her evenings alone, pining for her long dead lover Steve, who died helping her back in the Great War. A co-worker called Barbara Minerva (Kristin Wiig) has come across an ancient stone that unbeknownst to them is a lucky charm that grants it's owner their greatest desires. Quiet, shy Barbara has her wish to be more like Diana granted and her new found confidence catches the eye of businessman Max Lord (Pedro Pascal), who's also on the hunt for the charm. His reasons for wanting it are rather more nefarious.

Wonder Woman 1984 hits the spot. Of all the delayed blockbusters supposed to be released this year I'm glad we got to see this one before the year ended because aside from it's entertainment value it's optimism is something that's been sorely lacking this year and christ does it feel welcome. Diana Prince might be able to beat seven shades of shite out of whoever gets in her way but her USP among superheroes has always been her ability to see the good in people and here she uses that power in spades making WW84 feel pretty different to the usual comic book formula of blow everything up and pick up the pieces later. With Diana facing two villains the films gets to have it's cake and eat it too by giving us a vicious face off before hitting us with a climax that feels a lot more satisfying. We get a city being wrecked of course but this time it's in a more realistic fashion.......well as realistic as you'll get in a comic book film.

It's also fitting that we get a Trump like villain onscreen just as the gobshite himself is on the way out. Pedro Pascal's Max is a conman disguised as a TV personality who craves fame and power. He'll step over anyone to get his way and when he gets his hands on the lucky charm the story really kicks off. As does Pascal's performance. Here he's broad and hilarious as his powers take hold, especially when they begins to take their toll on his body. Wiig as Barbara starts off as his exact opposite, meek and mousy and watching her get a magical glow up is a joy, especially when she starts using her new found skills to deal with the little problems women have to face everyday. But with great power comes great responsibil..........ok, never go full Marvel while talking about a DC film. Eek. Wiig rocks the part and watching her kicking secret service agents around the American Capitol city will bring a smile to your face. Those geeky performances in Bridesmaids and Ghostbusters feel a million miles away now.

It's Gal Gadot's film though and her turn as the world's most famous Amazon once again injects the film with a warmth and heart that's sorely lacking in other blockbusters. She's not just there to crack wise inbetween beatdowns. Yeah she has great fun lassoing bad guys in a shopping centre and taking on a convoy of Egyptian bodyguards but it's her quieter moments that will stick in your mind, that smile during a 4th of July night flight (which brings back one of the sillier bits of the 70's tv show in a way that crazily works), a wink at an awed child or her anguish at a heartbreaking decision. She makes these little things her own. The source of that anguish btw, I won't go into it but it's just one of the many many things that work in this film. Something that leads to a fashion show of 80's styles that will crease you up. PLO scarves and pastel sports jackets. Jesus. What a combo.

There's a few lapses in logic throughout and at least two scenes near the end feel slightly confusing and choppy (you'll know them straight away) but WW84 will win you over with it's sheer exuberance and it's message of hope. It's a joy seeing a usually male dominated story beginning with a young girl showing off her skills and ending with a warrior woman showing off hers. Hopefully director Patty Jenkins will be back soon with part 3.

Wonder Woman 1984 is out in cinemas now. 


December 15, 2020

It's that time of the year again

 


Yup, the yearly visit to Nakatomi Plaza.

You don't want to.

There's so many other new films out there you haven't seen yet.

But it's on the shelf, calling you, whispering to you.

"It's Christmas time...put me on coach."

You groan and put it on.

You think to yourself "I've seen this 50 times ffs."

Then John mets Argyle in the airport and you get a warm feeling. It's kinda festive.

By the time John and Holly are arguing about surnames you feel like you're at home again.

When Hans Gruber turns up you know you're in it for the long run.

It's about now you start thinking about doing a double bill.

5 minutes later it's a given.

Yippekiyay motherfuckers.


December 14, 2020

Another perfect pairing of sound & vision - Notting Hill & Bill Withers

Richard Curtis films are usually an anathema to me but this scene below is pretty perfect. Don't shoot me please.

Will (Hugh Grant), a bookshop owner in Notting Hill has had a brief dalliance with a movie star called Anna Scott (Julia Roberts). It's like a dream, it's too good to be true and of course it is when he finds out she already has a boyfriend. So he spends the next 6 months in a slump. 6 months that pass by rather uniquely.

 

In one unbroken shot seasons change, relationships start and die, snow arrives and melts, pregnancies end and new life appears, we get all the weather, the seasonal fruit & veg for sale on the market stalls change, umbrellas appear and vanish, winter clothes are thrown on and discarded, flowers blooming signalling the start of spring and all to the sound of Bill Wither's pining for a lost love. It's a brilliantly economical way to show the passage of time and a perfect pairing of sound & vision in a film most people will just laugh at. 

Previous pairings

Beetlejuice

December 13, 2020

I'm Your Woman

Point Blank. The Friends Of Eddie Coyle. Cisco Pike. The Taking Of Pelham One Two Three. Mikey And Nicky. Charley Varrick. Those classic crime films of the late 60's/early 70's about bad men getting up to no good. About their failed schemes and inevitable downfalls. But what about the women in their lives? Their families? The people left behind to suffer the fallout? Well that's where I'm Your Woman comes in. Director Julia Hart presents us with her take on a usually masculine genre lensed through the sexual and racial politics of the era. And she does it very well.

Jean (Rachel Brosnahan) is dragged out of bed in the middle of the night and forced to go on the run. She's a reluctant mother to a child her gangster husband Eddie (Bill Heck) has saddled her with and now she's forced to leave her glamorous life behind to go on the lam because something bad has kicked off with his partners in crime. Leading her into the night is Cal (Arinzé Kene), a man who used to work with Eddie. She's left in a house with supplies and a telephone, which is only to be used in dire emergency. Jean's never been alone in her life and before long there's a knock on the door...

At 2 hours in length I'm Your Woman is going to be far too slow burn for more impatient viewers but stick with it and you'll be rewarded with a rich, surprisingly warm look at the other side of the crime classics mentioned in the first paragraph. Jean's been dropped in at the deep end and so are we. We don't know exactly what caused all the trouble and we don't need to, making every door knock, every appearance of a car suspenseful as hell. We never see what caused all the hassle, and throughout it's only vaguely alluded to and it's a great storytelling decision because I'm Your Woman is Jean's story, no-one else's. She's always in our eyeline making every twist as new to her as it is to us.

It's a decision that may frustrate some as the camera stays pinned to Jean at moments when all hell is kicking off elsewhere but Rachel Brosnahan is so convincing that watching the emotions twirl across her face is far more interesting than watching gun battles you've seen dozens of times before. It's a nice twist on a genre usually dominated by snarling, moody men keeping themselves in check to avoid displaying weaknesses. It's warmth is a change too, especially during a tender and touching laundrette set aftermath of a horrific nightclub visit or a layered midnight chat with Frankie Faison's friendly veteran. This is the stuff the crime genre has mostly ignored. The stuff that gives I'm Your Woman real substance.

The story's 70s crime movie roots are still present in it's shades of grey though. Jean mightn't be in the life but she happily and knowingly benefitted from it and Cal is definitely no knight riding in to save her either. He's a criminal and the film never lets us forget it, especially one ambiguous act of violence that will stay with you til the credits roll. Arinzé Kene's multi faceted turn marks him as one to watch with him being as believable as a gunman as he is with his baby whispering skills. Between them they really make I'm Your Woman work.

I'm Your Woman is streaming on Amazon Prime now. It's a good one.

December 12, 2020

16 films on TV to ease you into the silly season

Float Like A Butterfly   Sat   13/12   RTE2 @ 21.00

A father and daughter set off on a road trip around Ireland. 15 year old Frances is a scrapper, in awe of Muhammad Ali and she wants to show what she's made of. Her father, fresh out of jail, doesn't quite agree with her choices. This depiction of Irish traveller life is as gritty as you'd expect but there's a lot of love under it's gruff exterior and Carmel Winter's direction finds humanity and inspiration in the story. Hazel Doupe as Frances is amazing

The Shape Of Water   Sat   13/12   CH4 @ 21.30

A lonely cleaner called Elisa falls for an amphibious being that's been held captive in the facility she works in. Their shared alienation from the world brings them together. Guillermo Del Toro's fishy love story won the best picture Oscar in 2018 and it's easy to see why. It's a beautifully odd tale about the strange places romance can blossom. Sally Hawkins is a knockout lead and Michael Shannon does good work as the bad guy of the piece.

The Hill   Sat   13/12   BBC2 @ 22.55

Libya. World War II. A disciplinary camp for insubordinate soldiers. The heat is brutal. The punishment is unrelenting. The guards are evil. The prisoners will not be broken. Then there's the hill. Sidney Lumet's 1965 war drama is a watch that will leave you wrecked when it's over, a look into the psychology used to break down the spirit of men and turn them into military cogs. It's not a fun watch but it's a fine one. Sean Connery, Ian Bannen and Harry Andrews all do a superb job.

The Driver   Sun   14/12   Talking Pictures TV @ 22.00

The Driver is a king behind the wheel of car making him indispensable to criminals. One detective is obsessed with catching him and turns to the underworld to set up a trap to catch him. Walter Hill's action thriller is a joy, one that oozes style. There's not much going on under the bonnet but you'll enjoy this film's sleek lines. It's so cool it doesn't even bother with character names. Ryan O'Neal, Isabelle Adjani and Bruce Dern all rock here.

Little Miss Sunshine   Sun   14/12   TG4 @ 23.25

A delight of a film about a troubled family driving across America so their daughter can take part in one of those godawfully creepy American child beauty pageants. All manner of familial issues work against getting her there on time. There's a lovely cast in this with the adorable Abigail Breslin in the lead and Toni Collette on fire as her mother. Both Alan Arkin  & Steve Carell (playing very much against type) steal the film though. Just ignore Paul Dano.

mother!   Mon   15/12   CH4 @ 00.05

A woman and her partner live a quiet peaceful life in their country mansion. One night there's a knock at the door and a man turns up. Then another appears and a violent act turns heaven into hell. Darren Aronofsky's dark 2017 drama is one that will set up camp in your head and stay put far longer than you'll like. It's horrifying, terrifying, stressful and not one bit enjoyable. But you'll still be happy you watched it. Jennifer Lawrence is a magnetic lead and keep an eye out for two familiar Irish faces.

Scott Of The Antarctic   Mon   15/12   BBC2 @ 14.30

In 1912 Robert Falcon Scott led the Terra Nova expedition to Antarctica in the hopes of being the first people to reach the South Pole. Things.......did not go well. This Ealing production is a great watch. Filmed in beautiful early technicolor and with a haunting score, this a powerful and eerie imagining of a expedition where no one is really sure what exactly happened. John Mills as Scott is, as always, a fantastic lead.  

Panic Room   Mon   15/12   Sony Movies @ 21.00

A woman and her daughter find themselves trapped in their panic room during a home invasion. And what the invaders want is in the room with them. Jodie Foster and Kristen Stewart are excellent in David Fincher's little cracker of a thriller. It's a simple but fiercely effective film, scary, fast moving and with a little touch of humour here and there. Forest Whitaker, Jared Leto and Dwight Yoakam are fun as the villains of the piece.

Clash   Tues   16/12   Film4 @ 01.40

Cairo is in chaos after Egyptian president Morsi has been removed from office and a disparate group of men from differing backgrounds find themselves arrested and locked in the back of a police van. A 100 minute long film set entirely in a paddy wagon might sound boring but's an electrifying and searing look at the political state of Egypt seen through a microcosm of it's society. The actors mightn't be recognisable but all do mighty work.

Office Christmas Party   Tues   16/12   RTE2 @ 21.30

Carol and Clay are brother and sister. They also work together. She's also his boss and she's about to close his office branch. So he does the only thing he can ie throw a massive Christmas party to impress a potential client. The most literally titled film of the decade is a solid slice of raunchy drug fuelled madness that will make even the most miserable viewer laugh. Jennifer Aniston, Kate McKinnon and a game Courtney B. Vance all add to the giggles.

Finding Your Feet   Thur   18/12   Film4 @ 21.00

A woman's retirement plans are blown to hell when she discovers her marriage is a long term sham and she legs it to London to stay with her sister. To say they are chalk and cheese is an understatement. This gentle comedy drama works because of it's realistic central pairing and watching Imelda Staunton and Celia Imrie tearing strips off each other is good craic, but there's plenty of heart behind the barbs too. Timothy Spall and Joanna Lumley in support add a lot.

Tamara Drewe   Thur   18/12   BBC4 @ 23.25

When her mother dies, a London based journalist returns home to the bucolic village of her youth to settle affairs and her appearance stirs up old loves, old memories and old troubles. Gemma Arterton's a charming lead in a slight but profanely entertaining look at the mores of life in the British countryside. Director Stephen Frear's 21st century take on Far From The Madding Crowd hits the spot. Tamsin Greig and Bill Camp are the gravy on top.

An Education   Fri   18/12   BBC2 @ 00.30

Jenny is the model teenager, acing her exams at school, polite and well mannered. Then she meets and falls for a man twice her age.... This 60's set drama is an effective coming of age film about the hard truths and rude awakenings teenagers have to deal with on the road to adulthood. Carey Mulligan is perfect as the lead and gets stellar back up from the likes of Peter Saarsgard, Alfred Molina and Olivia Williams.

A Cure For Wellness   Fri   19/12   CH4 @ 01.50

A young executive working for a bank is sent to a spa in Switzerland to find the company CEO. On the way he has an accident and wakes up in a very strange place. Gore Verbinski's 2016 horror film is a far cry from the family franchises he's best known for. There's imagery here that will wiggle into your brain and haunt you. It's deranged, often offensive and the most unique film on TV this week. Dane DeHaan and Mia Goth make for interesting leads.

Nevada Smith   Fri   19/12   TG4 @ 21.10

Nevada Smith, looked down on all his life for being a "halfbreed", half White, half Native American is devastated by a massive tragedy and changes his life in order to get revenge on the men responsible. This Steve McQueen led western is a solid friday evening watch. It hits all the beats you'll expect but also adds a surprising depth with it's ruminations on the effects of violence. McQueen is his usual stoic self. 

What We Did On Our Holiday   Fri   19/12   BBC1 @ Midnight

It's Gordy's 75th birthday and all the family are invited to his home in the wilds of Scotland. Abi and Doug are bringing the kids but they've got a large secret they want to keep and they have to rely on their kids to keep schtum. Uh-oh. A nice look at the interplay and dynamics that exist in the family unit. You might relate hard to what you see onscreen. Rosamund Pike, David Tennant and Billy Connolly work well together.

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December 10, 2020

Sound Of Metal

Life is sweet. You're doing a job you adore. You're constantly on the move, spending each night in a different place and you're doing it all with something you're madly in love with. Things are going swimmingly and then in the blink of an eye is all goes to fuck. Something you've been ignoring for years bites you on the arse ensuring life will never ever be the same again. Do you lie down and die or do you adapt? Well?

Everyone knows the Oscars don't mean a thing anymore. People only watch them for the glamour and the glitz, an escape from ordinary life, a reason to stay up til the wee hours (if you ain't in the states) and ogle the rich and famous while you hoover pringles and feel awful about yourself. Next year though I'd bet good money on one winner. If Sound Of Metal doesn't win Best Sound Design I'll eat my hat. It's use of (and lack of) sound to help us experience what our lead character is experiencing is just mesmerising. We get thrown in at the deep end just like Ruben, the character played brilliantly by Riz Ahmed.

Ruben's the drummer for Blackgammon, the metal group he's one half of, the other being his girlfriend Lou (Olivia Cooke). They live a nomadic life in an RV and travel across America playing gigs to loving audiences. The decibel level is taking it's toll on Ruben and one night it all comes to a head and a visit to a doctor informs him that his hearing has taken an unmerciful battering, one that it can't come back from. Former heroin user Ruben is distraught, he's on the verge of injecting again because his musical life is over but when his NA sponsor finds him a place in a rehab community made up of other deaf addicts he sees it as the only way he can stay going. It's tough though, Lou can't stay with him and he can't contact her. What happens next is up to him.

Sound Of Metal is one of many films this year that won't find their audience because of Covid-19 and it's a huge pity because it's really good. The loss of one of your five senses would of course be traumatic but SOM chooses not to depict it as a disability, more as a different way of living, something to adapt to and not to cope with and as such it avoids the pitfalls you get with this kind of film, the sentimentality, the soaring inspirational dialogue that ends up as cheesy instagram posts and it's all the better for it. No one here is a victim, not Lou who's traumatic childhood brought her to this place in her life, not Joe (Paul Raci) the man in charge of the deaf community nor Ruben. It's a refreshing change of angle.

Sound Of Metal works because it lets us build empathy with our lead, using sound to give us a minute taste of what's happening. That first initial dropout is terrifying, background chatter then nothing, all we have to go on is the sense of terror on his face, then garbled, muffled, buzzing, intermittent bouts of nothing at all, giving us no subtitles during the scenes where sign language first enters the story, forcing us to identify with Ruben, leaving us as lost as he is. It's effective film-making and a hell of a feature film debut for director Darius Marder. But as well as the film is made it's the performances that make or break a story like this and everyone lives up to the challenge.

Riz Ahmed's been doing mighty work for years but he's amazing here. Understandably angry but always likable, a performance that never once feels like acting, letting his expressions do all the work for him. Olivia Cooke who's missing for an hour in the middle of the story does well in a smaller part, conveying fear and heartbreak in glances and gestures, making the intimacy between Lou and Ruben feeling genuine. It's always good when a movie couple feels like a real couple. But it's a small moment from Paul Raci's Joe that will stay with you. A reaction to a decision made by Ruben. A quietly understated moment of upset that will get you right in the throat. Knowing Raci in real life grew up with deaf parents makes it feel even more profound. Stunning.

Sound Of Metal is streaming on Amazon Prime (US site) now. It's worth your time.

December 09, 2020

Video Nasty Rewatch Part 17 - Evilspeak

It's always odd seeing a major studio logo appear at the start of a video nasty. That cool old school 70's red Warner Brothers one starts Evilspeak and as soon has it fades off screen we get a naked woman decapitated by an evil Spanish monk called Eastaban during an effectively and chillingly staged medieval satanic mass. Nudity crossed with violence was big censorship no-no back in the day and having it in the opening minutes always meant Evilspeak was going to be frowned on.

As her head flies through the air we cut to a ball in the air. Nice Kubrickian match-cut there. A ball kicked during a game of football being played at the West Andover military academy in sunny California. Struggling to keep up is Stanley (Clint Howard, star of Gentle Ben, brother of Ron). He's the school target, bullies and teachers hate him because try as he might he messes everything up. One day as punishment he's sent to the basement where he finds a satanic book belonging the devil worshipping Estaban from the beginning of the film and it piques his interest. How that book got to California isn't quite clear but Evilspeak isn't a film to bother itself with such answers. Or any form of logic really. In an attempt to translate the book he uses the school computer which of course gets possessed and as his bullying intensifies so does his obsession with the book. Eventually he himself is taken over by Estaban and all hell breaks loose during a school meeting in the chapel.

Evilspeak rocks. There's no faffing around with it, it has decent production values and actors you'll actually recognise. R.G. Armstrong, a familiar face from 1000 westerns pops up as a crazy coot who gets his head twisted right around by an evil presence. Lenny Montana, famous for playing Lucas Brasi in The Godfather, plays the school chef and it's his act of kindness that leads to the straw that breaks the camels back so to speak. The head bully is played by Don Stark who's afro you'll remember from That 70's Show and then there's Clint Howard, an actor who's always had a rather peculiar presence but here's that presence is perfect for the part of the bullied pupil who strikes back viciously. Remember how Brian De Palma's Carrie ended. The bullied girl letting loose at the prom? If you enjoyed that then you'll fuckin' love this.

Anyway, down to the nitty gritty. Why was this on the video nasty list? That bloody opening and ending and it's overall themes of satanism of course. Does Evilspeak deliver on that front? Oh yes indeed. We get satanic pigs disembowelling people in bathtubs, decapitations aplenty, entrails ripped out in gooey close up, nails flying out to crucifixes into priests skull's and a headmaster's head ripped asunder by a broadsword. But here's the thing, it's all so silly and over the top that you can't take any of it seriously. It's wildly funny and all scored by a brilliantly hammy Omen aping operatic score. It's only after it's over that you realise you've been laughing at what is essentially a movie about a bullied pupil massacring his school mates, only this time he's using the devil instead of a machine gun. This is one film that will never get a modern day remake.

The moneyshot

Would I recommend Evilspeak? Yes. It's highly entertaining if you don't think too deeply about it.

Did it deserve to be on the Video Nasty list? Nope. It's definitely gory and vicious but only a fool would be offended by it. Enter the BBFC. Context and comedy was ignored while they forensically ticked their boxes and boom, another silly horror movie finds itself prosecuted by the DPP. Thus making it infamous.

Next up - Exposé aka House On Straw Hill. A rather disturbing watch.

December 08, 2020

Honest Thief

By the numbers. Mechanical. Predictable. No surprises. Middle of the road. It's alright. Decent enough. Not bad. It passes the time sure. It's not the worst I've seen. There's 10 ways to describe Honest Thief, the latest Liam Neeson thriller that's in cinemas now. It will do. 11!

The In-And-Out bandit has been the bane of the Boston branch of the FBI for years. He's a master criminal, capable of robbing dozens of banks without causing any harm to any one. And now he's in love. Tom (Neeson) and Annie (Kate Walsh), a happy couple. Awww. A year into their relationship he decides to come clean before they move on to the next step and he contacts the FBI offering up himself and all the money he has taken over the years. Worn down by cynicism and a plethora of false confessions Agent Meyers (Jeffrey Donovan) doesn't take Tom seriously and sends out Junior agents to talk to him. One of the agents, Nivens (Jai Courtney), realises Tom is the real deal and decides to pocket the cash for himself. Things get nasty.

You seen Honest Thief a million times before. None of the plot twists come out of the blue and the destination is never in doubt but a nice turn from Neeson means it's more A Walk Among The Tombstones than Taken 2. He's at the stage where he can do this kind of thing in his sleep and his In-And-Out Bandit is a charming creation who's reasons for what he does seem to make sense. With his gentle demeanour and graceful attitude its easy to see why Annie has fallen for him and why the Feds don't believe him at first. Neeson brings a gravitas to his role, that elder statesman sensibility that's made him watchable for so long. It's also interesting to see how this type of criminal goes about his business too as movie bank robbers tend to be all gung-ho and machine gun toting but Tom's modus operandi is more watch, wait and dig out the polyfilla and paint. It's a nice change.

It's these details that make the earlier part of this film the best part but before long it's back to the same old rigmarole (12!!) of snarling baddies, silly gun battles and boringly shot fistfights, all the stuff we've seen done to death. The film tries to shake things up by injecting it's supporting cast with a bit of quirk and when all else fails it even throws in a (undeniably cute) dog to stir our heartstrings. But that dull seen it all before (13!!!) script just does it no favours. One thing you'll appreciate though is the the fact that for once the romance feels age appropriate. Annie, charmingly played by Walsh, might be a student but she's a mature one and for once there's only a decade between the onscreen couple. It's good not to have that ick factor at play.

Honest Thief is in cinemas now. If you like your films safe and undemanding (14!!!!!) you won't go wrong here.


December 07, 2020

Ahhh that hit the spot

 

My first trip back to the cinema since September was a peachy one. A double bill of the amazing Wolfwalkers and the distinctly average Honest Thief. 

It felt like being home tbh. Lovely.

December 06, 2020

What's your favourite film book?


These two right here for me. While technically they're one book, the one on the right being an updated version that takes in horror films from 1990 - 2010. Horror isn't my favourite genre (it's up there though) but it's the one I know most about because of this book.

The version on the left blew my mind as a teenager. Our school library had a copy and on more than one occasion I snuck it home to devour it. In the 80's and early 90's the only horror movies you'd see on TV were from Hammer studios or the occasional Friday the 13th. Imagine going from them to reading about the horror movies coming Italy, Germany, Mexico, the southern states of the US, from the imaginations of Andy Warhol, Lucio Fulci, Ruggero Deodato, Wes Craven and so many more. Picture the buzz you'd get reading about films like Prisoner Of The Cannibal God, Thundercrack, Blue Sunshine and Q, The Winged Serpent when you've never seen anything spicier than Dracula Has Risen From The Grave. Because of reading this book I knew all about Dawn Of The Dead and The Last House On The Left long before I ever got to see them. I'd heard of actors like Udo Kier and Divine and Giovanni Lombardo Radice a full decade before I got to see the movies that made them infamous, respectively Flesh For Frankenstein, Pink Flamingoes & Cannibal Ferox. It was the kind of read that helped sow a love of movies in you that would stay for a lifetime.

If you ever come across a secondhand dog eared copy of the early edition of this book with films sporadically highlighted in luminous yellow marker throughout let me know. 


December 05, 2020

Freaky

#Stresscited

#Nervesofsteel

#Whatisshedoing

3 hashtags that will make you remember why everyone enjoyed Vince Vaughn back before he turned into Joe Republican. 

A teenage girl is leaving for school. Her mother is in the kitchen cooking up one of those big breakfasts you only ever seen in American films, bacon, eggs and a stack of pancakes. Daughter walks by, snags a piece of bacon and walks out the door, not having time to sit down, a cliched moment we've seen in a million films and tv shows. Only she doesn't this time. She sits down and joins her family. Instantly it feels odd. Like the preceding murder scene that started the film it's a stock moment that been fiddled with just enough to catch our attention and it's only the start of the fun Freaky has in store for us.

The Blissfield butcher (Vince Vaughn) has just minced a house full of teens and stolen a ceremonial knife to continue his killing spree. The town is on edge, the highschool's homecoming dance is about to happen and everyone is terrified it will be cancelled. Everyone but Millie Kessler (Katherine Newton), a teenage girl who's withdrawn into herself since the death of her father the year before. Her quietness is considered standoffish by fellow pupils and teachers and her friends and family are worried about her. They get even more worried when the butcher attacks her and stabs her in the shoulder. She survives the attack but her blood has kicked off a mystical reaction with the ceremonial knife and the next morning she wakes up in the body of the killer and he wakes up in hers. Then the madness really starts.

This rocked. Imagine Big crossed with Friday the 13th directed by someone who both loves the horror genre and who loves to rip the piss out of the horror genre at the same time. If you've seen Christopher Landon's (son of Michael, trivia fans) duo of Happy Death Day and Happy Death Day 2U you'll know how much fun you've in store and this time he gets to take full advantage of the R-rating with severe ocular trauma, tablesaw carnage and seriously improper wine bottle usage all being on the menu. Crunchy gore aside, he fits in a couple of genuinely effective scares and a hell of a lot of laughs too courtesy of the body swap antics. Body swap antics that see people for once doing things you'd actually do if you found yourself in the body of the opposite sex for a day. The handiness of peeing upright, the things you can do with the strength that comes from being huge (Vaughn is a big feck) and the empowerment that comes from people's sudden attitude changes to you. Freaky uses this to touch on the sexual politics of horror films in ways that never seem preachy but always add to the entertainment.

One of Freaky's biggest triumphs is it's upending of horror tropes and cliches. If you're a casual fan you'll enjoy this immensely but horror nerds will get a big kick out of the way it mixes things up, set ups that ignore the usual payoffs, characters who'd usually be slasher fodder being heroes, even down to little things like specific camera movements you've seen again and again in horror not going the way you'd think. It's as affectionate and clever a send up of the genre as there's been in an age. As with all the most effective horror it's the cast that really make it work and both Newton and Vaughn go all out, adapting to each others physicalities, her using her smarts to make up for lost brute force and him nailing her foibles but thankfully without the camp theatrics from the likes of other body swap films like Jumanji. Both have a whale of a time in their parts and their enjoyment translates brilliantly to the screen.

Freaky is streaming online now. It's a genuinely substantial horror comedy that mixes it's ingredients very successfully. Come for the laughs and stay for the sexist jocks getting their crotches chainsawed. Joyous.

16 films on TV to keep you warm during this wintery week

The Missing   Sat   5/12   Sony Movies @ 21.00

When her daughter is kidnapped by Apaches a woman and her estranged father set out to get her back. This hotchpotch of western and drama and a touch of mysticism all comes together in a very satisfying manner. It's tough stuff though, far from the westerns we grew up on. Cate Blanchett gives a fiercely determined performance in the lead role and is ably supported by a grizzled Tommy Lee Jones and a terrifying Eric Schweig.

Dirty God   Sat   5/12   BBC2 @ 22.00

An acid attack in her past has left her badly scarred and Jade is finding it a struggle to rebuild her life in the aftermath. She has a plan but it's going to cause her and hers all manner of hassle. Dirty God sounds grim and there's no denying it is in places but it's also crackling with energy courtesy of a stunning debut performance from Vicky Knight. A humane & powerful watch about modern day life and it's obsession with looks.

Keeping Rosy   Sun   6/12   BBC2 @ 00.15

Charlotte lives and breathes her work. It's been her life forever and a future built around it comes crashing down when a workplace betrayal hits hard. From then on everything starts going wrong, horribly wrong. The great Maxine Peake puts in a wicked performance in this London set drama/horror/thriller. It's a potent watch, unpredictable, suspenseful, Hitchcockian in it's construction. Don't watch it before bed.

Kill List   Sun   6/12   Film4 @ 01.20  

Two hit men find themselves in way too deep when they take on a new assignment. Ben Wheatley's 2011 horror thriller is a masterpiece but it's a movie that will be way too much for a lot of people. It's a brutal watch, intense as hell, horrifically violent and disturbing in a way that will get under your skin for an age. Neil Maskell, Michael Smiley & MyAnna Buring are all fantastic. Watch at your own risk and don't say you weren't warned.

The Pursuit Of Happyness   Sun   6/12   Virgin Media One @ 22.00

Chris Gardner has taken a big chance on a new investment and it's backfired on him badly. Now he's out of work and living on the street with his young son. He decides to set off on professional path while not letting his lack of a home set him back. This true story might feel kinda corny in places but a sympathetic turn from Will Smith gives it a heart and a humanity that will keep you watching until the end.

The Workshop   Sun   6/12   BBC4 @ 22.10

In a once prosperous French seaside town a writing class is set up to help ease teenagers into the world of work. Olivia, a writer, runs the class and is intrigued by a young man who's work seems to tell a troubling story. This fine 2017 drama uses a microcosm of French society to delve into the problems endemic in France as a whole and it does it very well indeed. Marina Foïs & Matthieu Lucci do wonderful work as the leads.

The Hurt Locker   Mon   7/12   TG4 @ 21.30

Kathryn Bigelow directs this story of an unorthodox soldier who joins a bomb disposal unit during the second Iraq war. This is hardy stuff and it's definitely not for the faint of heart. Packed full of nail chewing tension and meaty performances from a cast that includes Jeremy Renner, Anthony Mackie, David Morse and Ralph Fiennes. A film that shows both the hell and the mind numbing boredom of war.

Lean On Pete   Mon   7/12   Film4 @ 23.15

Charlie's father is working his way around North West America. Charlie craves a place to call home and when he gets a summer job with a horse trainer he finally finds some inner peace, especially after he makes a new 4 legged friend. A lovely, well written tale of a boy on the verge of becoming a man and the decisions you need to make along the way. Charlie Plummer does good in the lead role. Keep an eye on this fella, he'll be a star one day.

The Wild Bunch   Mon   7/12   TCM @ 23.30

The boys are back in town. Well Mexico actually. A railway station robbery has gone haywire and the Wild Bunch have gone south of the border to make one big final score. But big final scores never work out do they? Sam Peckinpah's 1969 masterpiece is still a blistering watch 51 years after it's release. It's the film that redefined onscreen violence but there's so much more to it than that. It's excellent cast includes William Holden, Ernest Borgnine, Warren Oates and many other familiar faces.

Shane   Tues   8/12   Film4 @ 16.15

A worn out gunslinger wants to retire and work on a farm but finds himself drawn into a conflict between a land owner and a rancher. One of the all time best westerns here and also contains one of the best bar fight scenes ever. You can't go wrong watching this. Alan Ladd nails the main role and gets solid support from familiar faces of the genre like Van Heflin, Elisha Cooke Jr and the brilliant Jack Palance.

 The Lavender Hill Mob   Thur   10/12   BBC2 @ 3.15

A shy retiring bank clerk has been overseeing the transfer of gold bullion for years. One day after befriending a souvenir maker his dreams get the better of him and he decides to dip into his work. Then others get involved... This classic comedy from Ealing Studios might be almost 70 years old but it's still a joyous watch, funny and clever and with a sprinkling of suspense too. Alec Guinness leads a cast stuffed with familiar British faces.

Gifted   Thur   10/12   Film4 @ 21.00

In a small Florida town lives a little girl and that little girl is a genius. She lives with her uncle who provides her with a nice life. Until Granny sticks her oar in and muddies all the waters. This 2017 drama might be a predictable one but it's still a charming and heartfelt story worth your time. McKenna Grace as the lil' prodigy is a heartbreaker and Chris Evans, Jenny Slate and Lindsay Duncan all put in a fine shift.

The Beguiled   Thur   10/12   BBC2 @ 23.30

The pupils and staff of an all girls school in the state of Virginia are thrown into turmoil when they come across a wounded Union soldier on the run from the Civil War. Sofia Coppola's hazy drama takes a while to get going but when it does......it's robust, disturbing and torrid stuff. A first rate cast that includes Kirsten Dunst, Nicole Kidman, Elle Fanning and Colin Farrell all do mighty work. A heady slice of American gothic.

Sightseers   Fri   11/12   Film4 @ 00.45

A meek couple goes on a caravan holiday around the north of England. Sounds deathly boring right? Well it's not. Quite the opposite in fact as they blaze a path of carnage as wide as Hadrian's wall. A deliciously dark and hilarious watch. Like Badlands crossed with This Is England. Alice Lowe & Steve will leave a serious impression. Deadly use of some 80's power ballads too. Oh btw, definitely not for the squeamish.

The International   Fri   11/12   RTE2 @ 21.45

An interpol agent and a district attorney team up to bring down a bank involved in dodgy dealings and find their lives are in severe danger. A twisty- turny thriller that feels like a grown up version of a Bond film. This was mostly ignored on release and its a pity. Clive Owen & Naomi Watts add real heft in the lead roles and it contains a quite spectacular action scene in a well known NYC landmark that would please anyone.

Sideways   Fri   11/12   TG4 @ 23.45

Two men travel to California's wine country for a stag weekend. Jack, the groom, an actor out for one last fling & Miles, his best man, a wannabe writer with a ferocious thirst. Alexander Payne's comedy drama is wildly funny in places and desperately upsetting in others. A film both about trying to hold on to the past & letting going of the past led by an immense turn from Paul Giamatti with super back up from Sandra Oh, Virginia Madsen and Thomas Haden Church.

An aul retweet is always appreciated if you found this guide helpful. Cheers buds.